
Native American Representations
First Encounters, Distorted Images, and Literary Appropriations
Gretchen M. Bataille(Editor)
University of Nebraska Press
Published on 1. September 2001
Book
Paperback/Softback
265 pages
978-0-8032-6188-4 (ISBN)
Description
From Columbus's journal jottings about "Indios" to the image of Sacagawea on the dollar coin, from the marauding Indians portrayed in the traditional western to the appearance of Native Americans in Dances with Wolves, from cigar box caricatures to the Crazy Horse monument rising near Mt. Rushmore, Native Americans have been represented-and misrepresented-over the past five centuries. What such depictions mean-what they say, and what they do, historically, culturally, and ideologically-is the subject of this book. In Native American Representations, leading national and international critics of Native literature and culture examine images in a wide range of media from a variety of perspectives to show how depictions and distortions have reflected and shaped cross-cultural exchanges from the arrival of Europeans to today. Focusing on issues of translation, European and American perceptions of land and landscape, teaching approaches, and transatlantic encounters, the authors explore problems of appropriation and advocacy, of cultural sovereignty and respect for the "authentic" text. Most significantly, they ask the reader to consider the question: "Who controls the representation?" Illuminating and timely, the animated debates and insightful analyses in this book not only showcase some of the most provocative work being done in the field of Native Studies today, but they also set an agenda for its development in the twenty-first century.
Reviews / Votes
"The weighty essays in Bataille's latest compilation will more than adequately engage the attention of anyone involved with Native American studies. . . . A critically discerning collection that is sure to be resourceful for many years."-Choice "This important collection brings together in one volume the current theoretical thinking, literary analysis, and ethnopoetic practices of eleven different contemporary scholars of Native American literature, culture, and verbal art. . . . This volume sets the question of representation in an ethnopoetics context that focuses on the textual dynamics of works by and about Native verbal arts and cultures, providing rich avenues for exploring issues of postcoloniality, Native identities, subversive textual strategies, and productive intercultural efforts at collaboration."-Maureen Salzer, North Dakota QuarterlyMore details
Language
English
Place of publication
Lincoln
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 229 mm
Width: 154 mm
Thickness: 15 mm
Weight
386 gr
ISBN-13
978-0-8032-6188-4 (9780803261884)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Gretchen M. Bataille
Native American Representations
First Encounters, Distorted Images, and Literary Appropriations
E-Book
09/2001
1st Edition
University of Nebraska Press
€31.99
Available for download
Person
Gretchen M. Bataille, senior vice president of academic affairs at the University of North Carolina, is the coauthor of American Indian Women: Telling Their Lives (Nebraska 1984) and the author of Native American Women: A Biographical Dictionary.
Content
Table of Contents: Acknowledgments IntroductionGretchen M. Bataille As If an Indian Were Really an Indian: Native American Voices and Postcolonial TheoryLouis Owens The Indians America Loves to Love and Read: American Indian Identity and Cultural AppropriationKathryn Shanley Return of the Buffalo: Cultural Representation as Cultural PropertyDavid L. Moore Representation and Cultural Sovereignty: Some Case StudiesDavid Murray Tricksters of the Trade: "Remagining" the Filmic Image of Native AmericansJohn Purdy Telling Stories for Readers: The Interplay of Orality and Literacy in Clara Pearson's Nehalem Tillamook TalesJarold Ramsey Cooperation and Resistance: Native American Collaborative Personal NarrativeKathleen M. Sands Western Literary Models and Their Native American Revisiting: The Hybrid Aesthetics of Owens's The Sharpest SightBernadette Rigal-Cellard Identity and Exchange: The Representation of "The Indian" in the Federal Writers Project and in Contemporary Native American LiteratureHartwig Isernhagen Reversing the Gaze: Early Native American Images of Europeans and Euro-AmericansA. LaVonne Brown Ruoff Metacritical Frames of Reference in Studying American Indian Literature: An AfterwordKathryn Shanley Contributors Bibliography Index