
Material Inventions
Applying Creative Arts Research
I.B. Tauris (Publisher)
Published on 24. September 2014
Book
Hardback
320 pages
978-1-78076-986-8 (ISBN)
Description
The measurement of the significance and 'impact' of research is absolutely paramount in today's academic world - as evidenced by the recent introductions of research assessment exercises in the UK, Australia, Hong Kong and New Zealand. Material Inventions: Applying Creative Arts Research offers new and original ways of conceptualizing impact and innovation in creative arts research. This important book demonstrates how artistic research is capable of solving real-life problems and presenting transforming accounts of the world. What are the inventions and innovations of artistic research? What are the interdisciplinary applications of practice-led research methodologies and outcomes? In what ways can the methods and outcomes of artistic research benefit the broader community and creative and other industries? How can the impact of creative practice as research be demonstrated and more clearly articulated?
By articulating the inventions, innovations, application and broader uptake of artistic research in and beyond the field of art, expert contributors advance the claim that artistic research constitutes a new paradigm or 'successor science' that impacts on interdisciplinary research and in diverse community and industry settings. In often surprising and unpredictable ways, the inventions and innovations of artistic researchers are being taken up beyond the creative arts in areas such as fire fighting, computer interfacing and design, public relations, medical science, caring for the aged, local history making, museology, biofeedback technologies and a range of therapeutic settings. This is a timely follow-up to Practice as Research: Approaches to Creative Arts Enquiry and will be indispensible to researchers, institutions and research assessment bodies.
By articulating the inventions, innovations, application and broader uptake of artistic research in and beyond the field of art, expert contributors advance the claim that artistic research constitutes a new paradigm or 'successor science' that impacts on interdisciplinary research and in diverse community and industry settings. In often surprising and unpredictable ways, the inventions and innovations of artistic researchers are being taken up beyond the creative arts in areas such as fire fighting, computer interfacing and design, public relations, medical science, caring for the aged, local history making, museology, biofeedback technologies and a range of therapeutic settings. This is a timely follow-up to Practice as Research: Approaches to Creative Arts Enquiry and will be indispensible to researchers, institutions and research assessment bodies.
Reviews / Votes
Material Inventions is an essential intervention into the contemporary need to understand creative arts practice as research. It is instructive, enjoyable and yes, inventive. Lynn Turner, Senior Lecturer in Visual Cultures, Goldsmiths, University of London.More details
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
22 bw integrated
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 22 mm
Weight
646 gr
ISBN-13
978-1-78076-986-8 (9781780769868)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Estelle Barrett recently retired from the School of Communication and Creative Arts at Deakin University, Melbourne, where she was Associate Professor and Deputy Head of School. In 2013, she was appointed to the position of Adjunct Research Professor at Charles Sturt University, New South Wales. Barbara Bolt is a practising artist and art theorist and is currently the Associate Director, Research and Research Training at the Victorian College of Arts, at the University of Melbourne. She exhibits with Catherine Asquith Gallery in Melbourne.
Content
List of Illustrations
Acknowledgements
Foreword
Notes on Contributors
Introduction Extending the Field: Invention, Application and Innovation in Creative Arts
Enquiry
Estelle Barrett
Chapter 1 Beyond Solipsism in Artistic Research: The Art Work and The Work of Art
Barbara Bolt
Chapter 2 Blogging as Art, Art as Research
Lucas Ihlein
Chapter 3 "Conversations Before the End of Time": Refuturing Applications of a New Media Praxis
Keith Armstrong
Chapter 4 Multimodal Research Applied to Decision Making by Incident Controllers on the Fire Ground
Valerie Ingham
Chapter 5 Newspaper Printing Sites and The Spoils of Creative Research
Deborah Beaumont
Chapter 6 The Riches Of Ambiguity: Art as a Site for the Senses
Jo-Anne Duggan
Chapter 7 Real Fiction: Theatre and Creative Research
Scott Welsh
Chapter 8 Practice as Method: The Ex/centric Fixations Project
Bree Hadley
Chapter 9 Poetic Documentary And Visual Anthropology: Evoking The Subject
Cameron Rose
Chapter 10 Marking Exchange: Life-Drawing, Methexis and Intersubjective Praxis
Margaret Mayhew
Chapter 11 Making Sense: Exploring Materialist Pedagogies Through Imagination, Collaboration and Criticality
Carole Gray and Gordon Burnett
Chapter 12 The Effective and The Evocative: A Spectrum of Creative Practice Research
Jillian Hamilton and Luke Jaaniste
Chapter 13 The Mode of Invention of Creative Research
Iris van der Tuin
Notes
References
Acknowledgements
Foreword
Notes on Contributors
Introduction Extending the Field: Invention, Application and Innovation in Creative Arts
Enquiry
Estelle Barrett
Chapter 1 Beyond Solipsism in Artistic Research: The Art Work and The Work of Art
Barbara Bolt
Chapter 2 Blogging as Art, Art as Research
Lucas Ihlein
Chapter 3 "Conversations Before the End of Time": Refuturing Applications of a New Media Praxis
Keith Armstrong
Chapter 4 Multimodal Research Applied to Decision Making by Incident Controllers on the Fire Ground
Valerie Ingham
Chapter 5 Newspaper Printing Sites and The Spoils of Creative Research
Deborah Beaumont
Chapter 6 The Riches Of Ambiguity: Art as a Site for the Senses
Jo-Anne Duggan
Chapter 7 Real Fiction: Theatre and Creative Research
Scott Welsh
Chapter 8 Practice as Method: The Ex/centric Fixations Project
Bree Hadley
Chapter 9 Poetic Documentary And Visual Anthropology: Evoking The Subject
Cameron Rose
Chapter 10 Marking Exchange: Life-Drawing, Methexis and Intersubjective Praxis
Margaret Mayhew
Chapter 11 Making Sense: Exploring Materialist Pedagogies Through Imagination, Collaboration and Criticality
Carole Gray and Gordon Burnett
Chapter 12 The Effective and The Evocative: A Spectrum of Creative Practice Research
Jillian Hamilton and Luke Jaaniste
Chapter 13 The Mode of Invention of Creative Research
Iris van der Tuin
Notes
References