Brecht in Practice
Theatre, Theory and Performance
Published on 20. November 2014
Book
Paperback/Softback
256 pages
978-1-4081-8503-2 (ISBN)
Description
David Barnett invites readers, students and theatre-makers to discover new ways of apprehending and making use of Brecht in this clear and accessible study of Brecht's theories and practices. The book analyses how Brecht's ideas can come alive in rehearsal and performance, and reveals just how carefully Brecht realized his vision of a politicized, interventionist theatre.
What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.
What emerges is a nuanced understanding of Brecht's concepts, his work with actors and his approaches to directing. The reader is encouraged to engage with his method which sought to 'make theatre politically', in order to appreciate the innovations he introduced into his stagecraft. Barnett provides many examples of how Brecht's ideas can be staged, and the final chapter takes a closer look at two very different plays: one written by Brecht and one by a playwright with no acknowledged connection to Brecht. Through an interrogation of The Resistible Rise of Arturo Ui and Patrick Marber's Closer, Barnett asks how a Brechtian approach can enliven and illuminate production.
Reviews / Votes
The theater of Bertolt Brecht (1898-1956) has long suffered lamentable neglect in the US and the UK ... Fortunately, Barnett champions Brecht's cause with clarity and authority in this slim volume, which this reviewer predicts will soon prove indispensable to any serious Anglophone student of Brecht. ... The author draws on profound knowledge of the material, including Brecht's drama, the crucial Messingkauf fragments, and the history of the Berliner Ensemble. At the heart of the book is the chapter 'Brecht and the Actor,' which elegantly dispatches the fallacy of a Brechtian 'style' and should be required reading in any acting class. Later chapters offer excellent illustrative readings of the application of Brecht's principles to both Brechtian and non-Brechtian drama. Barnett has delivered a vital corrective to the misapprehension of Brecht's theater. Summing Up: Essential. Lower-division undergraduates through faculty and professionals; general readers. -- R. Remshardt, University of Florida * CHOICE * Barnett's jargon-free study, accessible to students and enjoyable for specialists, effectively re-introduces Brecht's performance theory, charts its evolution during the exile years, and demonstrates its application through Brecht's formation of the Berliner Ensemble, when his long-simmering ideas could at last be put into practice. * Journal of Dramatic Theory and Criticism * Barnett's style of writing is not only crystam clear but also jargon free ... The book is an important and timely contribution to Brechtian scholarship. * Brecht Yearbook * Barnett has done meticulous research and presents a very engaging scholarly argument. -- Nathaniel Nesmith * American Theatre * Brecht in Practice leads its reader seamlessly from Brecht's theoretical concerns to the practical matters with which they are inextricably linked ... [Barnett] writes with enviable clarity and precision ... as a result, successive potentially complex discussions are rendered effortlessly digestible. -- Michael Wood, University of Edinburgh, UK * Modern Language Review *More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Professional and scholarly
Illustrations
10 illus
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 14 mm
Weight
327 gr
ISBN-13
978-1-4081-8503-2 (9781408185032)
DOI
CBID179973
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
11/2014
1st Edition
Methuen Drama
€30.99
Available for download
E-Book
11/2014
1st Edition
Methuen Drama
€30.99
Available for download
Persons
David Barnett is Reader in Drama, Theatre and Performance at the University of Sussex, UK. He has published books on German theatre (studies on Heiner Mueller and Rainer Werner Fassbinder), and is preparing a history of the Berliner Ensemble, the first book of its kind in any language. He has also published several essays and articles on German-, English-language, political and postdramatic theatre.
Content
Acknowledgements
One: Revealing the Radical Theorist
Two: The Messingkauf as Performative Thinking
Three: Brecht and Difference
Four: Method Trumps Means
Five: Brecht and the Actor
Six: Brecht and the Director
Seven: Brecht, Documentation and the Art of Copying
Eight: Brecht's Method in Action: The Resistible Rise of Arturo Ui and Closer by Patrick Marber
Epilogue
Endnotes
Index
One: Revealing the Radical Theorist
Two: The Messingkauf as Performative Thinking
Three: Brecht and Difference
Four: Method Trumps Means
Five: Brecht and the Actor
Six: Brecht and the Director
Seven: Brecht, Documentation and the Art of Copying
Eight: Brecht's Method in Action: The Resistible Rise of Arturo Ui and Closer by Patrick Marber
Epilogue
Endnotes
Index