The Photographic Paradigm
Published on 1. January 1997
Book
Hardback
191 pages
978-90-420-0187-9 (ISBN)
Description
This issue investigates the meaning of photographic image for contemporary art. In Malraux' dream, photography offers the ultimate guarantee for a coherent presentation of art. However, as Douglas Crimp has stated, the appearance and enhancement of photography as a form of art among other art forms disrupted the center of the art world. What does this mean for art and philosophy in our time? Various artists and theorists will delve into that question:
Christian Boltanski, Benjamin H.D. Buchloh, Jean-Francois Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renee van de Vall, Hilde van Gelder, Hripsime Visser, Jeff Wall, Ian Wallace and Herta Wolf.
Christian Boltanski, Benjamin H.D. Buchloh, Jean-Francois Chevrier, Douglas Crimp, Jos de Mul, Mirjam de Zeeuw, Rineke Dijkstra, Michael Gibbs, Rodney Graham, Gerald van der Kaap, Karen Knorr, Zoe Leonard, Ken Lum, Hermann Pitz, Liza-May Post, John Roberts, Allan Sekula, Andres Serrano, Jan Simons, Beat Streuli, John M. Swinnen, Renee van de Vall, Hilde van Gelder, Hripsime Visser, Jeff Wall, Ian Wallace and Herta Wolf.
More details
Series
Language
English
Place of publication
Leiden
Netherlands
Publishing group
Brill
Product notice
sewn/stitched
Cloth over boards
Dimensions
Height: 230 mm
Width: 155 mm
Weight
522 gr
ISBN-13
978-90-420-0187-9 (9789042001879)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Annette W. Balkema | Henk Slager
The Photographic Paradigm
Book
01/1997
Rodopi
€37.33
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Content
Annette W. BALKEMA and Henk SLAGER: Prologue. Christian BOLTANSKI: The Passage of Time. Benjamin H.D. BUCHLOH: The Politics of Representation. Jean-Francois CHEVRIER: The museum: A Permanent Crisis. Douglas CRIMP: Reconsidering Barcelona. Jos de MUL: The virtualization of the world view: The end of photography and the return of the aura. Mirjam de ZEEUW: Investigation into Strategies of Thought. Rineke DIJKSTRA: Intensity and Concentration. Michael GIBBS: Fugitive Photography. Rodney GRAHAM: The way I use photography. Gerald van der KAAP: The Ed van der Elsken Turn. Karen KNORR: Photography's Shadow. Zoe LEONARD: Photographic Responses. Ken LUM: Contemporary Contemplation. Hermann PITZ: Ocular Investigations. Liza MAY: Post Mental Slides. John ROBERTS: The crisis of critical postmodernism. REVIEW Allan Sekula and the metaphysics of concepts. Andres SERRANO: Idiosyncratic Iconography. Jan SIMONS: Photo, Trauma; The eye and the mind. Beat STREULI: Potential Possibilities. Johan M. SWINNEN: Searching for a historical infrastructure. Renee van de VALL: Images of the past. An installation by Christian Boltanski. Hilde van GELDER: Photography: from Modus to Picture. Hripsime VISSER: The magic of realism. Jeff WALL: Transformational Aesthetics. Ian WALLACE: Notes for a Talk. Herta WOLF: Archeological Consciousness. Annette W. BALKEMA and Henk SLAGER: Epilogue.