
Watching the World
Screen Documentary and Audiences
Thomas Austin(Author)
Manchester University Press
Published on 30. June 2012
Book
Paperback/Softback
220 pages
978-0-7190-8558-1 (ISBN)
Description
Screen documentary has experienced a marked rise in visibility and popularity in recent years. What are the reasons for the so-called 'boom' in documentaries at the cinema? How has television documentary met the challenge of new formats? And how do audiences engage with documentaries on screen? Watching the world extends the reach of documentary studies by investigating recent instances of screen documentary and the uses made of them by audiences. The book focuses on the interfaces between textual mechanisms, promotional tactics, and audiences' viewing strategies. Key topics of inquiry are: film and televisual form, truth claims and issues of trust, the pleasures, politics and the ethics of documentary. Case studies include Capturing the Friedmans, Etre et Avoir, Paradise Lost, Touching the Void, and wildlife documentaries on television. This compelling and accessible book will be of interest to both students and fans of documentary. -- .
More details
Language
English
Place of publication
Manchester
United Kingdom
Target group
College/higher education
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 12 mm
Weight
288 gr
ISBN-13
978-0-7190-8558-1 (9780719085581)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
07/2013
Manchester University Press
€18.49
Available for download
Person
Thomas Austin is Senior Lecturer in Media and Film at the University of Sussex. -- .
Content
1 Continuity and change: the documentary 'boom'
2 Seeing, feeling, knowing: Etre et Avoir
3 'Suspense, fright, emotion, happy ending': documentary form and audience response to Touching the Void
4 'The most confusing tears': home video, sex crime, and indeterminacy in Capturing the Friedmans
5 Approaching the invisible centre: middle-class identity and documentary film
6 'Our planet reveals its secrets': wildlife documentaries on television
7 Conclusion: Documentary world views -- .
2 Seeing, feeling, knowing: Etre et Avoir
3 'Suspense, fright, emotion, happy ending': documentary form and audience response to Touching the Void
4 'The most confusing tears': home video, sex crime, and indeterminacy in Capturing the Friedmans
5 Approaching the invisible centre: middle-class identity and documentary film
6 'Our planet reveals its secrets': wildlife documentaries on television
7 Conclusion: Documentary world views -- .