
Disturbing Nature in Narrative Literature
Philip Armstrong(Author)
Routledge (Publisher)
1st Edition
Published on 21. May 2026
Book
Paperback/Softback
244 pages
978-1-032-73316-6 (ISBN)
Description
Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in-depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel Garcia Marquez, Jose Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary-critical analysis, including ecocriticism, new materialism, affect theory, and human-animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Postgraduate
Dimensions
Height: 229 mm
Width: 152 mm
Weight
470 gr
ISBN-13
978-1-032-73316-6 (9781032733166)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
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Philip Armstrong
Disturbing Nature in Narrative Literature
Book
11/2024
1st Edition
Routledge
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Philip Armstrong
Disturbing Nature in Narrative Literature
E-Book
11/2024
1st Edition
Routledge
€60.49
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Philip Armstrong
Disturbing Nature in Narrative Literature
E-Book
11/2024
1st Edition
Routledge
€60.49
Available for download
Person
Philip Armstrong is a Professor of English at Te Whare Wananga o Waitaha/University of Canterbury in Aotearoa New Zealand. He is the author of Shakespeare's Visual Regime (2000), Shakespeare in Psychoanalysis (Routledge 2001), What Animals Mean in the Literature of Modernity (Routledge 2008), A New Zealand Book of Beasts (co-written with Annie Potts and Deidre Brown, 2013), Sheep (2016), and two books of poetry.
Content
Introduction: Moving Nature
PART ONE: NATURE'S AGENCIES
1. The Literary Seismograph: Earthquakes in European Literature and Thought
2. Fear of the Forest: Cultural Xylophobia from Pliny to Proulx
3. Shakespeare's Vital Parts: Animal, Vegetable, and Meteorological Actors on the Shakespearean Stage
PART TWO: ANIMAL AFFECTS
4. Baleful Light: Literary Encounters with the Gaze of Animals
5. Taxonomy and Wonder: Old World Bestiaries and New World Marvels
6. The Lower Deep: Fathoming the Abyss in Moby-Dick
Epilogue
Index
PART ONE: NATURE'S AGENCIES
1. The Literary Seismograph: Earthquakes in European Literature and Thought
2. Fear of the Forest: Cultural Xylophobia from Pliny to Proulx
3. Shakespeare's Vital Parts: Animal, Vegetable, and Meteorological Actors on the Shakespearean Stage
PART TWO: ANIMAL AFFECTS
4. Baleful Light: Literary Encounters with the Gaze of Animals
5. Taxonomy and Wonder: Old World Bestiaries and New World Marvels
6. The Lower Deep: Fathoming the Abyss in Moby-Dick
Epilogue
Index