
Visual Cultures in India
Contesting the Site of Sights
Arzuman Ara(Editor)
Lexington Books (Publisher)
Published on 5. February 2025
Book
Hardback
244 pages
978-1-6669-6842-2 (ISBN)
Description
Visual Cultures in India: Contesting the Site of Sights delves into our visual experiences through diverse media, while unpacking how we encounter and interpret the visual, moving beyond simple "seeing" to deeper levels of meaning. This book explores our experience of visual media that reveals the complex interplay between sight, meaning, and contestation. The authors delve into the very "sites" where visuals are born, displayed, and interpreted. This nuanced approach sheds light on how visual media shapes our understanding of the world and ourselves. From the captivating world of film and photography to the enduring artistry of sculpture and dance, and even the visual tapestry of everyday life, this book weaves a compelling narrative of the complex relationship between media and visual culture in India. It is a timely and significant contribution in an age saturated with imagery. This book equips scholars, researchers, students, and media professionals with a framework to navigate the power of sight and gain a deeper understanding of visual cultures in India.
Reviews / Votes
Visual cultures in India are incredibly diverse and rich, reflecting the country's complex history, religious practices, regional traditions, and contemporary influences. In today's age of visual cultures represented in many and varied forms from traditional graphics to digital platforms, a book like Visual Cultures in India critically revisits the iconization and visualization of the cultural tropes making the volume a significant academic contribution. Its interdisciplinary approach makes it outstandingly accomplished to cater to the needs of researches in Visual Studies, Media Studies, Culture Studies, and India Studies. -- Ravindra Kumar Vemula, The English and Foreign Languages University This volume presents innovative research on the new importances that visuality continues to acquire in India. Adopting 'lived cosmopolitanism' as an analytical lens, its contributions explore how images and seeing attain new significances in the context of the continually evolving relationship between India's rapidly expanding cities and its non-urban environments. Visual Cultures in India is therefore a much-needed addition to existing scholarship on the visual, and its manifold interpretations. -- Erik de Maaker, Leiden University This wide-ranging collection of essays beautifully captures ways of seeing as a terrain of contested meaning, thereby providing vital insights into contemporary cultural productions in India and their relation to the search for truth. -- Peter Hudis, Oakton CollegeMore details
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Illustrations
20 BW Illustrations, 2 Tables
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 18 mm
Weight
524 gr
ISBN-13
978-1-6669-6842-2 (9781666968422)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Visual Cultures in India
Contesting the Site of Sights
E-Book
12/2024
1st Edition
Lexington Books
€90.99
Available for download

Visual Cultures in India
Contesting the Site of Sights
E-Book
12/2024
1st Edition
Lexington Books
€90.99
Available for download
Persons
Arzuman Ara is associate professor of English Language Education in the English and Foreign Languages University, Shillong Campus.
Content
Introduction
Arzuman Ara
Part I: Textuality and Materiality of Visual Cultures
Chapter 1. On Visual Cultures in India: A Keynote
Kailash C. Baral
Chapter 2. Scopic Borders: Of Frames, Horizons, Parerga and Paralipomena
Subir Dhar
Chapter 3. The Theatrical Tradition of Jatrapala as a Form of Visual Communication
Silpi Maitra
Chapter 4. Framing the Hyper-Local: Digital Visual Culture and Virtual Spaces
Hrishikesh Ingle
Part II: Representation and Visual Culture
Chapter 5. Visuals, Props, and Cultural Identity: A Reading of Select Assamese Films
Dwijen Sharma
Chapter 6. Representation of Muslim Women in Hindi Commercial Cinema: An Analysis of their Construct and Rendering in Visual Culture
Sonam Sultana Shah
Chapter 7. Representation of Women in the Film Posters of Bollywood
Arzuman Ara
Chapter 8. Gazing Identities: Visual Representation of the Nagas in the Hornbill Festival and Tourism Photography
Theyiesinuo Keditsu
Chapter 9. Towards a New Visual Myth: An Exploration of the Culturalscape of Assam in Advertisements
Saba Anish
Chapter 10. The Traditional Assamese Wedding: A Study on the Changing Aspects of Visual Culture
Jayashree Kalita
Part III: Visual Culture: Semiotics and Discourse
Chapter 11. 'Present Shock' and the Visual Realms of Singular Immensities
Jyotirmoy Prodhani
Chapter 12. Framing Violence: Press Photography and the Discourse of Conflict in Northeast India
Syed Murtaza Alfarid Hussain
Chapter 13. On Possible Futures: Photograph as a Document of Migration
Mohamed Shafeeq Karinkurayil
Chapter 14. (Mis)information and Visual Culture: Memes and Social Media Affects
Basil N. Darlong Diengdoh
Chapter 15. Visualizing Culture: A Semiotic study of a Konyak Woman's Body
Nonlih Chohwanglim
Arzuman Ara
Part I: Textuality and Materiality of Visual Cultures
Chapter 1. On Visual Cultures in India: A Keynote
Kailash C. Baral
Chapter 2. Scopic Borders: Of Frames, Horizons, Parerga and Paralipomena
Subir Dhar
Chapter 3. The Theatrical Tradition of Jatrapala as a Form of Visual Communication
Silpi Maitra
Chapter 4. Framing the Hyper-Local: Digital Visual Culture and Virtual Spaces
Hrishikesh Ingle
Part II: Representation and Visual Culture
Chapter 5. Visuals, Props, and Cultural Identity: A Reading of Select Assamese Films
Dwijen Sharma
Chapter 6. Representation of Muslim Women in Hindi Commercial Cinema: An Analysis of their Construct and Rendering in Visual Culture
Sonam Sultana Shah
Chapter 7. Representation of Women in the Film Posters of Bollywood
Arzuman Ara
Chapter 8. Gazing Identities: Visual Representation of the Nagas in the Hornbill Festival and Tourism Photography
Theyiesinuo Keditsu
Chapter 9. Towards a New Visual Myth: An Exploration of the Culturalscape of Assam in Advertisements
Saba Anish
Chapter 10. The Traditional Assamese Wedding: A Study on the Changing Aspects of Visual Culture
Jayashree Kalita
Part III: Visual Culture: Semiotics and Discourse
Chapter 11. 'Present Shock' and the Visual Realms of Singular Immensities
Jyotirmoy Prodhani
Chapter 12. Framing Violence: Press Photography and the Discourse of Conflict in Northeast India
Syed Murtaza Alfarid Hussain
Chapter 13. On Possible Futures: Photograph as a Document of Migration
Mohamed Shafeeq Karinkurayil
Chapter 14. (Mis)information and Visual Culture: Memes and Social Media Affects
Basil N. Darlong Diengdoh
Chapter 15. Visualizing Culture: A Semiotic study of a Konyak Woman's Body
Nonlih Chohwanglim