Musical Migrations
Transnationalism and Cultural Hybridity in Latin(o) America
Temple University Press,U.S.
Published on 1. August 2001
Book
Paperback/Softback
376 pages
978-1-56639-882-4 (ISBN)
Description
The widespread popularity of Ricky Martin, Jennifer Lopez, and Marc Anthony; the Grammies awarded to Carlos Santana; the growing presence of Latin popular music in television shows, advertising, and public spaces in the United States - clearly Latin popular music has crossed cultural borders. But what does that mean? And what is the cost of success? In Musical Migrations, seventeen scholars from various disciplines look at such disparate genres as salsa, mariachi, and Peruvian rock and roll in the context of a transnational culture of migration and mass media. Whether the subject is the African roots of mambo or the "demarginalization" of gaucho music, the cycles of approval and disapproval suffered by the Andean "scissors dance" or the development of Puerto Rican rap, readers will revel in the variety and excitement of Latin(o) popular music as explained by authorities in each area. Taken together, the essays show how cultural meanings change and shift as music migrates across multiple borders.
More details
Series
Language
English
Spanish
Place of publication
Philadelphia PA
United States
Target group
College/higher education
Professional and scholarly
Illustrations
12 b&w illustrations
Dimensions
Height: 254 mm
Width: 178 mm
ISBN-13
978-1-56639-882-4 (9781566398824)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Persons
Frances R. Aparicio is Professor and Director of the Program in Latin American Studies at the University of Illinois in Chicago. She is the author of Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures (1998) and of Versiones, interpretaciones, creaciones (1991). Candida Jaquez is Assistant Professor of Folklore and Ethnomusicology at Indiana University.