The Gothic Other
Racial and Social Constructions in the Literary Imagination
Published on 15. July 2004
Book
Paperback/Softback
320 pages
978-0-7864-1858-9 (ISBN)
Description
Literary use of the Gothic is marked by an anxious encounter with otherness, with the dark and mysterious unknown. From its earliest manifestations in the turbulent eighteenth century, this seemingly escapist mode has provided for authors a useful ground upon which to safely confront very real fears and horrors.
The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
The essays here examine texts in which Gothic fear is relocated onto the figure of the racial and social Other, the Other who replaces the supernatural ghost or grotesque monster as the code for mystery and danger, ultimately becoming as horrifying, threatening and unknowable as the typical Gothic manifestation. The range of essays reveals that writers from many canons and cultures are attracted to the Gothic as a ready medium for expression of racial and social anxieties. The essays are grouped into sections that focus on such topics as race, religion, class, and centers of power.
More details
Language
English
Place of publication
Jefferson, NC
United States
Target group
Professional and scholarly
College/higher education
Interest Age: From 18 years
Product notice
Paperback (trade)
Illustrations
notes, bibliography, index
Dimensions
Height: 232 mm
Width: 154 mm
Thickness: 22 mm
Weight
440 gr
ISBN-13
978-0-7864-1858-9 (9780786418589)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Ruth Bienstock Anolik teaches at Villanova University and writes extensively on the Gothic mode. Her articles have been published in Modern Language Studies, Studies in Jewish Literature,, and other journals and collections. Douglas L. Howard is the Writing Center Coordinator and an Assistant Professor in the English Department at Suffolk County Community College in Selden, New York. His publications include articles in Literature and Theology, The Chronicle of Higher Education and This Thing of Ours: Investigating the Sopranos (Columbia University Press, 2002). He lives in Greenlawn, New York.
Content
Table of Contents
Acknowledgments
Introduction: The Dark Unknown
PART I: DEMONIZING THE RACIAL OTHER, HUMANIZING THE SELF
1. White Terror, Black Dreams: Gothic Constructions of Race in the Nineteenth Century
2. Slavery and Civic Recovery: Gothic Interventions in Whitman and Weld
3. Cane: Jean Toomer's Gothic Black Modernism
4. Mixed Blood Couples: Monsters and Miscegenation in U.S. Horror Cinema
5. Diseased States, Public Minds: Native American Ghosts in Early National Literature
6. Yellow Peril, Dark Hero: Fu Manchu and the "Gothic Bedevilment" of Racist Intent
7. A Return to the Caves: E.M. Forster's Gothic Passage
PART II: DEMONIZING THE RELIGIOUS OTHER, HUMANIZING THE SELF
8. Gothic Routes, or the Thrills of Ethnography: Frances Calderon de la Barca's Life in Mexico 143
9. The Infamous Svengali: George Du Maurier's Satanic Jew
PART III: DARK MASTER, DARK SLAVE: CLASS HATRED AND CLASS FEAR
10. The Death of Zofloya; or, The Moor as Epistemological Limit
11. "The Vampyre": Romantic Metaphysics and the Aristocratic Other
12. "Screaming While School Was in Session": The Construction of Monstrosity in Stephen King's Schoolhouse Gothic
PART IV: WHEN THE SELF IS THE OTHER: HUMANIZING THE OTHER, DEMONIZING THE OPRESSOR
13. The Cage of Obscene Birds: The Myth of the Southern Garden in Frederick Douglass's My Bondage and My Freedom
14. Gothic in the Himalayas: Powell and Pressburger's Black Narcissus
PART V: WHEN THE OTHER IS THE SELF: DECONSTRUCTING THE CATEGORIES
15. Defanging Dracula: The Disappearing Other in Coppola's Bram Stoker's Dracula 289
List of Contributors
Index
Acknowledgments
Introduction: The Dark Unknown
PART I: DEMONIZING THE RACIAL OTHER, HUMANIZING THE SELF
1. White Terror, Black Dreams: Gothic Constructions of Race in the Nineteenth Century
2. Slavery and Civic Recovery: Gothic Interventions in Whitman and Weld
3. Cane: Jean Toomer's Gothic Black Modernism
4. Mixed Blood Couples: Monsters and Miscegenation in U.S. Horror Cinema
5. Diseased States, Public Minds: Native American Ghosts in Early National Literature
6. Yellow Peril, Dark Hero: Fu Manchu and the "Gothic Bedevilment" of Racist Intent
7. A Return to the Caves: E.M. Forster's Gothic Passage
PART II: DEMONIZING THE RELIGIOUS OTHER, HUMANIZING THE SELF
8. Gothic Routes, or the Thrills of Ethnography: Frances Calderon de la Barca's Life in Mexico 143
9. The Infamous Svengali: George Du Maurier's Satanic Jew
PART III: DARK MASTER, DARK SLAVE: CLASS HATRED AND CLASS FEAR
10. The Death of Zofloya; or, The Moor as Epistemological Limit
11. "The Vampyre": Romantic Metaphysics and the Aristocratic Other
12. "Screaming While School Was in Session": The Construction of Monstrosity in Stephen King's Schoolhouse Gothic
PART IV: WHEN THE SELF IS THE OTHER: HUMANIZING THE OTHER, DEMONIZING THE OPRESSOR
13. The Cage of Obscene Birds: The Myth of the Southern Garden in Frederick Douglass's My Bondage and My Freedom
14. Gothic in the Himalayas: Powell and Pressburger's Black Narcissus
PART V: WHEN THE OTHER IS THE SELF: DECONSTRUCTING THE CATEGORIES
15. Defanging Dracula: The Disappearing Other in Coppola's Bram Stoker's Dracula 289
List of Contributors
Index