Paradise and Method
Poetry and Praxis
Published on 30. August 1996
Book
Hardback
275 pages
978-0-8101-1307-7 (ISBN)
Description
Andrews addresses - from a poet's perspective on how to understand and make use of contemporary practice - poetics and its role as a choreographer of discussions and theorizing about meaning. By focusing on the ways in which meaning is produced and challenged in contemporary literary work, Andrews grounds his work in cross-disciplinary theory. He analyzes poetics and the production of meaning; alternative traditions and canons and stylistic resources as a signpost for writing; and innovative contemporary poetry and its break with many of the premises and constraints of even the most forward-looking modernisms. The book combines a parallel sequence of interviews and symposia responses with shorter pieces on a variety of postwar English-language poets (from Oppen, Ashbery, and Howe to younger contemporaries). From a foundation in the specifics of current practice that more overarching theory often ignores, Andrews challenges and extends the limitations of traditional literary criticism.
More details
Series
Language
English
Place of publication
Evanston
United States
Target group
College/higher education
Dimensions
Height: 229 mm
Width: 152 mm
Weight
825 gr
ISBN-13
978-0-8101-1307-7 (9780810113077)
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Schweitzer Classification
Content
Position: Index; Text and context; Writing, social work and political practice; Constitution/writing, politics, language, the body; Total equals what: Poetics and praxis; Poetry as explanation, poetry as praxis (and discussion). Verb: Inter-view - (Marjorie Perloff questions); Poetics interview - (Kootenay School of Writing questions); Symposium on/with language poets - (Andrew Ross questions), with Charles Bernstein; American poetries; Lines linear how to mean; We are embodiments of circumstance; Be careful now you know sugar melts in water; Italian poetics today: Discussant response; Revolution only fact confected - A talk transcript. Body: Misrepresentation (on Ashbery); Surface explanation (on Oppen); Proof (on Wieners); Signification (Silliman); Politics of scoring (Robson); Encyclopedia (Mandel); The ham of words (Waldrop); Self writing (Lally); Code words (Barthes); Idealism and illusion (Gidal/Barthes); Social topography; Equals what?; Talks about reading; Self/ideology - Corpses that devour their own flesh (Silliman); Solicitations/keyboards (on/with Bromige); These are not my words (Davidson); Suture - and the absence of the social (Howe); Beyond suture (Howe); Under erasure (Watten); Transatlantic (British poetry); Paradise and method - A transcript.