How to Apply Equalization
Will be published approx. on 1. August 2018
Book
Paperback/Softback
112 pages
978-1-5400-2489-3 (ISBN)
Description
Equalization is one of the most important signal processors - perhaps the most important signal processor - for mixing and mastering. This book goes beyond explaining equalization to giving essential tips on how to use equalization to make better music. Written in a clear, practical, non-intimidating style, topics include:
* Equalizer parameters
* When to use different equalizer responses
* Linear vs. non-linear phase EQ
* Plug-in formats, mid/side equalization
* Typical equalizer controls
* Real-world examples of EQ in products from Ableton, Apple, Avid, iZotope, Steinberg, Propellerheads, Cakewalk, Softube, Studio One, Waves, Universal Audio, and more
The book then covers general tips (solving problems with EQ, emphasizing instruments, when to apply EQ, applying mid/side EQ, understanding EQ curves, and more), then segues into EQ curves associated with musical styles, and presents a variety of EQ presets for drums, guitar, piano, voice, and bass. The book closes out with typical equalizer mastering presets, a special section on equalization tips for guitar, and includes an appendix on understanding frequency response.
Chock full of illustrations and featuring the judicious use of sidebars to give details on selected topics for those who want to know "why" as well as "how," How to Apply Equalization is essential reading about how to get the most out of this crucial processor for mixing and mastering.
* Equalizer parameters
* When to use different equalizer responses
* Linear vs. non-linear phase EQ
* Plug-in formats, mid/side equalization
* Typical equalizer controls
* Real-world examples of EQ in products from Ableton, Apple, Avid, iZotope, Steinberg, Propellerheads, Cakewalk, Softube, Studio One, Waves, Universal Audio, and more
The book then covers general tips (solving problems with EQ, emphasizing instruments, when to apply EQ, applying mid/side EQ, understanding EQ curves, and more), then segues into EQ curves associated with musical styles, and presents a variety of EQ presets for drums, guitar, piano, voice, and bass. The book closes out with typical equalizer mastering presets, a special section on equalization tips for guitar, and includes an appendix on understanding frequency response.
Chock full of illustrations and featuring the judicious use of sidebars to give details on selected topics for those who want to know "why" as well as "how," How to Apply Equalization is essential reading about how to get the most out of this crucial processor for mixing and mastering.
More details
Series
Language
English
Place of publication
United Kingdom
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 231 mm
Width: 188 mm
Thickness: 5 mm
Weight
340 gr
ISBN-13
978-1-5400-2489-3 (9781540024893)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Craig Anderton is an internationally recognized authority on music and technology. He has played on, produced, or mastered over 20 major label recordings, did session work in New York in the 1970s on guitar and keyboards, played Carnegie Hall, and more recently, mastered well over a hundred tracks for various artists. His onstage career spans from the 60s to current, EDM-oriented solo performances. As an author, he co-founded Electronic Musician magazine, and has written over 35 books on musical electronics and over a thousand articles. He has also lectured on technology and the arts in 10 countries, 38 U.S. states, and three languages.
Content
Introduction. About This Book
The Purpose of Equalization
Tips and References
Chapter 1. Equalization Basics
Equalizer Bands
The User Interface
Common EQ Band Responses
Other Equalizer Controls
Intelligent Nodes
Other Parameter Control Methods
Linear-Phase vs. Non-Linear Operation
Dual Mono vs. Stereo
Mid-Side Equalization
Parallel Processing and Reality Checks
Passive vs. Active EQ Technology
Native vs. Hardware-Assisted Technology
Plug-In Formats
32-Bit vs. 64-Bit Plug-Ins
Copy Protection
Don't Overlook the Documentation
Key Takeaways
Chapter 2. Equalizer Examples
Ableton Live EQ Three
Ableton Live EQ Eight
Apple GarageBand
Apple Logic Pro X
Avid Pro Tools EQ and Channel Strip
Cakewalk by BandLab ProChannel Channel Strip with QuadCurve EQ
iZotope Neutron
Nomad Factory Blue Tubes PEQ322
Propellerheads Reason
Softube Focusing Equalizer
Sony Paragraphic EQ
Steinberg Cubase Mixer EQ
Studio One Pro EQ
Universal Audio / Manley Massive Passive
Universal Audio SSL E-Series Channel Strip
Waves Puigtech MEQ-5 Midrange Equalizer
Waves Artist Signature Series
Key Takeaways
Chapter 3. General Tips
Why EQ Matters
Solving Problems with EQ
Taming and Reducing Resonances
Finding Target Frequencies
Emphasizing Instruments
New Sonic Personalities
When to Apply
Where to Apply EQ
The High-Performance Graphic Equalizer
The Virtual Pop Filter
Mid-Side EQ: Rocking Your Mixes And Masters
Virtual Mics for Acoustic Guitars
Understanding EQ Curves-Why Noise Is Your Friend
Key Takeaways
Chapter 4. EQ Curves and Musical Styles
Dance/EDM
Classical
Rock and Modern Country
Rap/Hip-Hop
Adult Contemporary
So What Does It All Mean?
Key Takeaways
Chapter 5. Typical Equalizer Instrument Presets
Drum Presets
Guitar Presets
Percussion Presets
Piano and Keyboard Presets
Presets for Voice
Bass Presets
Key Takeaways
Chapter 6. Typical Mastering Presets
Save Your Own Presets When Mastering
Understanding the "Rule of Half" for EQ
Default Preset
Air Lift
Bass Tilt
High Tilt
Big and Bright
Bright and Loud
Crispy Meets the Bass
Deeper Kick
High Boost
Low Boost
Kick and Sizzle
Less Boxy
Less Vocals
Make Room for Female Voice Narration
Make Room for Male Voice Narration
Push Mids
Mono Bass
More Articulated
More Vocals
Punch
Reduce Honk and Mud
Reduce Honk
Reduce Mud
Reduce Subsonics and DC Offset
Scoop with High and Low Boost
Too Bassy Track
Vinyl Mastering
Warm and Clear
Widen High-Frequency Image
Widen Midrange Image
It's All About the Bass
Key Takeaways
Appendix. Understanding Frequency Response
Frequency Response Basics
Why Flat Response Is Good
The Role of the Decibel
Know Your Speakers
The Purpose of Equalization
Tips and References
Chapter 1. Equalization Basics
Equalizer Bands
The User Interface
Common EQ Band Responses
Other Equalizer Controls
Intelligent Nodes
Other Parameter Control Methods
Linear-Phase vs. Non-Linear Operation
Dual Mono vs. Stereo
Mid-Side Equalization
Parallel Processing and Reality Checks
Passive vs. Active EQ Technology
Native vs. Hardware-Assisted Technology
Plug-In Formats
32-Bit vs. 64-Bit Plug-Ins
Copy Protection
Don't Overlook the Documentation
Key Takeaways
Chapter 2. Equalizer Examples
Ableton Live EQ Three
Ableton Live EQ Eight
Apple GarageBand
Apple Logic Pro X
Avid Pro Tools EQ and Channel Strip
Cakewalk by BandLab ProChannel Channel Strip with QuadCurve EQ
iZotope Neutron
Nomad Factory Blue Tubes PEQ322
Propellerheads Reason
Softube Focusing Equalizer
Sony Paragraphic EQ
Steinberg Cubase Mixer EQ
Studio One Pro EQ
Universal Audio / Manley Massive Passive
Universal Audio SSL E-Series Channel Strip
Waves Puigtech MEQ-5 Midrange Equalizer
Waves Artist Signature Series
Key Takeaways
Chapter 3. General Tips
Why EQ Matters
Solving Problems with EQ
Taming and Reducing Resonances
Finding Target Frequencies
Emphasizing Instruments
New Sonic Personalities
When to Apply
Where to Apply EQ
The High-Performance Graphic Equalizer
The Virtual Pop Filter
Mid-Side EQ: Rocking Your Mixes And Masters
Virtual Mics for Acoustic Guitars
Understanding EQ Curves-Why Noise Is Your Friend
Key Takeaways
Chapter 4. EQ Curves and Musical Styles
Dance/EDM
Classical
Rock and Modern Country
Rap/Hip-Hop
Adult Contemporary
So What Does It All Mean?
Key Takeaways
Chapter 5. Typical Equalizer Instrument Presets
Drum Presets
Guitar Presets
Percussion Presets
Piano and Keyboard Presets
Presets for Voice
Bass Presets
Key Takeaways
Chapter 6. Typical Mastering Presets
Save Your Own Presets When Mastering
Understanding the "Rule of Half" for EQ
Default Preset
Air Lift
Bass Tilt
High Tilt
Big and Bright
Bright and Loud
Crispy Meets the Bass
Deeper Kick
High Boost
Low Boost
Kick and Sizzle
Less Boxy
Less Vocals
Make Room for Female Voice Narration
Make Room for Male Voice Narration
Push Mids
Mono Bass
More Articulated
More Vocals
Punch
Reduce Honk and Mud
Reduce Honk
Reduce Mud
Reduce Subsonics and DC Offset
Scoop with High and Low Boost
Too Bassy Track
Vinyl Mastering
Warm and Clear
Widen High-Frequency Image
Widen Midrange Image
It's All About the Bass
Key Takeaways
Appendix. Understanding Frequency Response
Frequency Response Basics
Why Flat Response Is Good
The Role of the Decibel
Know Your Speakers