An-My Le

An-My Le (born in Saigon, Vietnam, 1960) is a Vietnamese American photographer, filmmaker, author, and the Charles Franklin Kellogg and Grace E. Ramsey Kellogg Professor in the Arts at Bard College. Le came to the United States as a political refugee at age fifteen. She received a grant to return to her homeland just after US-Vietnamese relations were formally restored, and traveled there several times between 1994 and 1997. She is the recipient of numerous awards, including fellowships from the New York Foundation for the Arts, John Simon Guggenheim Memorial Foundation, and MacArthur Foundation, and her work has been exhibited nationally and internationally. Most recently a major retrospective of her work was organized by the Museum of Modern Art, New York. She is based in New York. Richard B. Woodward was an arts critic whose essays on art and photography were featured in dozens of monographs, catalogs, and publications, including the Wall Street Journal, New York Times, Atlantic, Bookforum, Film Comment, American Scholar, New Yorker, and Vogue. Hilton Als is a staff writer and theater critic at the New Yorker. A recipient of the Pulitzer Prize for Criticism, he is the author of The Women (1996), White Girls (2013), and Joan Didion: What She Means (2022). He is a teaching professor at the University of California, Berkeley, and an associate professor of writing at Columbia University. Ocean Vuong is author of the critically acclaimed poetry collections Night Sky with Exit Wounds (2016) and Time Is a Mother (2022), and the novel On Earth We're Briefly Gorgeous (2019). A recipient of the MacArthur Fellowship and the American Book Award, he was born in Saigon, Vietnam, and is professor of creative writing at New York University.