Dance-Based Dance Theory
From Borrowed Models to Dance-Based Experience
2nd Edition
Will be published approx. on 1. December 1996
Book
Paperback/Softback
VII, 199 pages
978-0-8204-3705-7 (ISBN)
Description
This book traces the intellectual history of twentieth century dance theory from its dependence on aesthetics for its model of conceptualization to its emergence as an autonomous field, primarily dependent on dance practice and experience. This history is traced through the analysis of writing on dance by dance theorists Elizabeth Selden, Margaret H'Doubler, John Martin, Rudolf Laban and aestheticians Susanne K. Langer, R.G. Collingwood, Nelson Goodman, and eleven other aestheticians who discussed dance in their aesthetic analyses of the arts. The analysis is organized by the author's Framework of Topics Intrinsic to Dance Theory which was inductively derived from all the writings and the author's extensive experience in dance.
More details
Other editions
Additional editions
Book
05/1991
Peter Lang Verlag
€32.40
Article exhausted; check for reprint
Previous edition
Book
05/1991
Peter Lang Verlag
€32.40
Article exhausted; check for reprint
Person
The Author: Judith B. Alter has an M.A. in Dance from Mills College and an M.A. in Teaching Social Studies and an Ed.D. from Harvard Graduate School of Education. She is currently teaching dance philosophy and graduate dance education as an assistant professor in the Dance Department at UCLA. She previously taught dance at the University of Wisconsin-Madison and at Tufts University. She has published articles on dance theory, dance history, and creativity, and is author of Surviving Exercise (1983) and Stretch and Strengthen (1986).