
Quantum Poetics
Yeats, Pound, Eliot, and the Science of Modernism
Daniel Albright(Author)
Cambridge University Press
Published on 28. January 1997
Book
Hardback
320 pages
978-0-521-57305-4 (ISBN)
Description
Quantum Poetics examines the way modernist poets appropriated scientific metaphors as part of a general search for the pre-verbal origins of poetry. Daniel Albright traces Modernism's search for the elementary particles from which poems were constructed. The poetic possibilities offered by developments in scientific discourse intrigued Yeats, Eliot and Pound, writers intent on remapping the general theory of poetry. Using models supplied by physicists, Yeats sought for the basic units of poetic force, both through his sequence A Vision and through his belief in, and defence of, the purity of symbols. Pound's whole critical vocabulary, Albright claims, aims at drawing art and science together in a search for poetic precision, the tiniest textual particles that held poems together. Through a series of patient and original readings, Quantum Poetics demonstrates how modernists created a whole new way of thinking about poetry and science as two different aspects of the same quest.
Reviews / Votes
'Quantum Poetics offers a better context in which to make sense of Modernism's obsessive need to isolate elementary literary units: 'classicism', for example, might explain the temperament that produced the vortex, but reference to science explains the force and motion of the vortex itself. Best of all, Albright gives us a new way to understand how Modernism's various characteristic ambivalences resolve themselves.' Journal of English and Germanic PhilologyMore details
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
Illustrations
11 Halftones, unspecified
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 23 mm
Weight
672 gr
ISBN-13
978-0-521-57305-4 (9780521573054)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Content
List of illustrations; Notes on references; Introduction; Part I. Yeats's Waves: 1. Yeats's figures as reflections in water; 2. Yeats and the avant-garde; 3. The theme of homunculus: Yeats and Wyndham Lewis; 4. Yeats and the sublime; Part II. Pound's Particles: 5. Minima (elementary particles of modernist poetry); 6. Symbol (Yeats's precursor to Pound's image); 7. The decay of symbols; 8. Things in themselves (Pound's anti-allegorism); 9. Image (Kandinsky, Brancusi, Tchelitchew); 10. Units of rhythm (Antheil); 11. Ideogram; 12. Vortex; 13. The decay of vortices; 14. The null set (Hugh Selwyn Mauberley); Part III. Eliot's Waves: 15. Monadological metaphors in Eliot's early work; 16. Narratives tied in knots; 17. Christ-particles in Eliot's late work (relief form the waves); Bibliography; Index.