Film and Reform
John Grierson and the Documentary Film Movement
Ian Aitken(Author)
Routledge (Publisher)
Published on 30. September 1992
Book
Paperback/Softback
256 pages
978-0-415-08121-4 (ISBN)
Description
Best known for his documentaries such as "Drifters", "North Sea", and "Housing Problems", John Grierson was regarded as one of the most important figures in the British documentary film movement and one of the most influential of British film theorists. Grierson's conception of film as an instrument of social persuasion was derived from an aesthetic tradition based on philosophical idealism, and his theory of documentary film indicates that aesthetics and social purpose should have equal status. Ian Aitken explains the synthesis of naturalism and modernism which characterizes the idealistic strain of Grierson's social commentary and compares it to such contemporary social reformists as the Next Five Years Group and the Mass Observation researchers. He also draws out aesthetic and intellectual similarities between Grierson, Orwell and Priestley. By underlining the link between film and reform, he clarifies the meaning and significance of Grierson's ideas and the historical role of the documentary film movement. This book should be of interest to students and teachers of film studies and media studies.
More details
Series
Edition
New edition
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Edition type
New edition
Illustrations
17 b&w photographs, bibliography, index
Dimensions
Height: 234 mm
Width: 156 mm
Weight
520 gr
ISBN-13
978-0-415-08121-4 (9780415081214)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Persons
Content
1. John Grierson; 2. John Grierson and the influence of American scientific naturalism 1924-7; 3. Grierson's aesthetic 1924-7; 4. John Grierson, the Empire Marketing Board Film Unit, and the documentary film movement 1927-33; 5. The General Post Office Film Unit 1933-9; 6. Public Relations, propaganda and documentary film 1900-39; 7. Documentary film and reform; 8. The influence of idealism.