
The Concise Routledge Encyclopedia of the Documentary Film
Ian Aitken(Editor)
Routledge (Publisher)
1st Edition
Published on 24. May 2017
Book
Paperback/Softback
1104 pages
978-1-138-10784-7 (ISBN)
Description
The Concise Routledge Encyclopedia of the Documentary Film is a fully international reference work on the history of the documentary film from the Lumiere brothers' Workers Leaving the Lumiere Factory (1885) to Michael Moore's Fahrenheit 911 (2004).
Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa.
The Concise Routledge Encyclopedia of the Documentary Film:
Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others
Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan
Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films
Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary
Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary
Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form.
Previously published in three volumes, entries have been edited and updated for the new, concise edition and three new entries have been added on: India, China and Africa.
The Concise Routledge Encyclopedia of the Documentary Film:
Discusses individual films and filmmakers including little-known filmmakers from countries such as India, Bosnia, China and others
Examines the documentary filmmaking traditions within nations and regions, or within historical periods in places such as Iran, Brazil, Portugal, and Japan
Explores themes, issues, and representations in documentary film including human rights, modernism, homosexuality, and World War I, as well as types of documentary film such as newsreels and educational films
Elaborates on production companies, organizations, festivals, and institutions such as the American Film Institute, Ceylon Tea Propaganda Board, Hot Docs (Toronto), and the World Union of Documentary
Describes styles, techniques, and technical issues such as animation, computer imaging, editing techniques, IMAX, music, and spoken commentary
Bringing together all aspects of documentary film, this accessible concise edition provides an invaluable resource for both scholars and students. With film stills from key films, this resource provides the decisive entry point into the history of an art form.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Postgraduate
Dimensions
Height: 246 mm
Width: 174 mm
Weight
2120 gr
ISBN-13
978-1-138-10784-7 (9781138107847)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
01/2013
Routledge
€64.49
Available for download

E-Book
01/2013
Routledge
€64.49
Available for download

Book
12/2012
1st Edition
Routledge
€409.21
Shipment within 15-20 days
Person
Ian Aitken is Professor, in the Department of Cinema and TV, Hong Kong Baptist University. He is the author of Film and Reform: John Grierson and the British Documentary Film Movement (Routledge, 1990, 1992), The Documentary Film Movement: An Anthology (Edinburgh University Press, 1998), The Cinema of Alberto Cavalcanti: Realism, Surrealism and National Cinemas (Flicks Books, 2000) and The Encyclopedia of the Documentary Film, three-volume set (Routledge, 2006).
Content
Documentary Film, Ian Aitken; Chapter 1 A; Chapter 2 B; Chapter 3 C; Chapter 4 D; Chapter 5 E; Chapter 6 F; Chapter 7 G; Chapter 8 H; Chapter 9 I; Chapter 10 J; Chapter 11 K; Chapter 12 L; Chapter 13 M; Chapter 14 N; Chapter 15 O; Chapter 16 P; Chapter 17 R; Chapter 18 S; Chapter 19 T; Chapter 20 U; Chapter 21 V; Chapter 22 W; Chapter 23 Y; Chapter 24 Z;