
Next to Nothing
Chris Agee(Author)
Salt Publishing
Will be published approx. on 15. January 2009
Book
Paperback/Softback
128 pages
978-1-84471-560-2 (ISBN)
Description
Next to Nothing records the years following the death of a beloved child in 2001. Though bereft of belief in the poetic outcome compared to the apocalypse of the loss itself (one sense of the title), the fidelity of these poems to the "heartscapes" of grief constitutes, nonetheless, a work of genuine honouring - spare, delicate, and deeply moving.
Of the collection in general, Agee has written:
"In addition to individual poems and several sequences, Next to Nothing includes a section entitled 'Heartscapes', which consists of 59 'micro-poems', as I call them. Many of these are extremely short; most were written during the very bleak and soul-sick year of 2003; and the whole section (with one poem per page) will take no more than thirty minutes to read, and indeed can be read with ease by any general intelligent reader, whatever their familiarity with or experience of poetry. Swiftness of effect was, in fact, part of the intention and fidelity; the challenge here as throughout the book was to record true and deep 'heart-feeling' (as opposed to the 'feeling' of sensibility, apperception, historical moment, etc.) - that most delicate of poetic material, owing to the swiftness of emotion itself. For once, I think I can say that these poems wrote themselves, in the sense of my being a quite passive amanuensis caught up in pain rather than any sort of instigator - drawing on the habit of technique belonging to what had become a previous life, whilst suddenly also bereft of belief in the poetic outcome compared to the apocalypse of the loss itself - that is to say, the textual as 'next to nothing', in several distinct senses, like Matisse's sparest line-drawings in a sea of blank space ..."
Of the collection in general, Agee has written:
"In addition to individual poems and several sequences, Next to Nothing includes a section entitled 'Heartscapes', which consists of 59 'micro-poems', as I call them. Many of these are extremely short; most were written during the very bleak and soul-sick year of 2003; and the whole section (with one poem per page) will take no more than thirty minutes to read, and indeed can be read with ease by any general intelligent reader, whatever their familiarity with or experience of poetry. Swiftness of effect was, in fact, part of the intention and fidelity; the challenge here as throughout the book was to record true and deep 'heart-feeling' (as opposed to the 'feeling' of sensibility, apperception, historical moment, etc.) - that most delicate of poetic material, owing to the swiftness of emotion itself. For once, I think I can say that these poems wrote themselves, in the sense of my being a quite passive amanuensis caught up in pain rather than any sort of instigator - drawing on the habit of technique belonging to what had become a previous life, whilst suddenly also bereft of belief in the poetic outcome compared to the apocalypse of the loss itself - that is to say, the textual as 'next to nothing', in several distinct senses, like Matisse's sparest line-drawings in a sea of blank space ..."
Reviews / Votes
It is a profound and exceptionally moving book. I haven't read anything so powerful for a long time. I was left with a sense of both the fragility and the huge importance of the here and now, as well as with an expanded sense of poetry's capacity." -- Hugh Dunkerley * The London Magazine * Next to love, grief is the great enabler of poems. In many ways grief is more powerful than love, whether in fiction or poetry. Love, especially if it is a happy collaboration between adults, excludes us from its golden circle even as readers, whereas grief, with its sense of crisis and abandonment, ignites our sense of humanity and calls us to become a part of its urgent business. In this, his latest collection of poems, the American born, Belfast-based poet, Chris Agee, has created a compelling, grief-stricken narrative. -- Thomas McCarthy * Irish Times *More details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Product notice
Paperback (UK-B)
Illustrations
Not illustrated
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 8 mm
ISBN-13
978-1-84471-560-2 (9781844715602)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Chris Agee was born in 1956 in San Francisco and grew up in Massachusetts, New York and Rhode Island. He attended Harvard University and since 1979 has lived in Ireland. He is the author of two books of poems, In the New Hampshire Woods (The Dedalus Press, 1992) and First Light (The Dedalus Press, 2003). He edits Irish Pages, a journal of contemporary writing based at The Linen Hall Library, Belfast. He reviews for The Irish Times and has recently completed a new collection of poems, Next to Nothing (Salt, 2009), which will be published in Britain, Ireland and the United States in January 2009.
Content
At Bethlehem Nursery
A Bouquet from Miriam
Heaney at Struga
Depths
Sebald
Next to Nothing
Attic Grace
The Tulip Tree
Life
The Apocalypse of Fishes
The August Dream
Mirage
The Science of Lampshades
Heartscapes
Heartlands
1 Observatory, Empire State Building
2 The Mall
3 Amish Quilt, Kalona
4 Limantour Beach, Point Reyes
5 Boston Common
Alpine Interlude
Sea-campion
The Zebra Finches
Tea-herb
Crolly Woods
Circumpolar
In the Adriatic
Night Ferry
August Ghost
Keepsakes
Zephyr
Near Dubrovnik
Sea-cloud
Darwinian Scrabble
Talisman
Nightsky
In the Hammock
Love
The Bench
Sea Snail
[Sic]
Knin Eclogue
In Prvo Selo
"The Sarajevo Music-box"
After Hay-on-Wye
Coda
A Bouquet from Miriam
Heaney at Struga
Depths
Sebald
Next to Nothing
Attic Grace
The Tulip Tree
Life
The Apocalypse of Fishes
The August Dream
Mirage
The Science of Lampshades
Heartscapes
Heartlands
1 Observatory, Empire State Building
2 The Mall
3 Amish Quilt, Kalona
4 Limantour Beach, Point Reyes
5 Boston Common
Alpine Interlude
Sea-campion
The Zebra Finches
Tea-herb
Crolly Woods
Circumpolar
In the Adriatic
Night Ferry
August Ghost
Keepsakes
Zephyr
Near Dubrovnik
Sea-cloud
Darwinian Scrabble
Talisman
Nightsky
In the Hammock
Love
The Bench
Sea Snail
[Sic]
Knin Eclogue
In Prvo Selo
"The Sarajevo Music-box"
After Hay-on-Wye
Coda