
Metaperspectives in Contemporary Literary Fiction
A Stylistic Approach
Naomi Adam(Author)
Bloomsbury Academic (Publisher)
Published on 11. June 2026
Book
Hardback
232 pages
978-1-350-46582-4 (ISBN)
Description
Metaperspectives in Contemporary Literary Fiction offers a literary-linguistic investigation of hypothesis and the metaperspective within contemporary Booker Prize-winning novels.
This highly innovative book introduces a new concept in the field of stylistics , but it also explores it through analyses of highly relevant concepts and areas of stylistic study.
Adam applies the concept of the metaperspective, centring on the thoughts of characters about other characters' views of them, to contemporary works of literary fiction and aligns it with existing stylistic and narratological approaches to narrative point of view.
Four recent winners of the Booker Prize - The Testaments (Margaret Atwood, 2019); Milkman (Anna Burns, 2018); A Brief History of Seven Killings (Marlon James, 2014); Lincoln in the Bardo (George Saunders, 2017) - figure as case-study novels. Each novel is tied to a specific iteration of the metaperspective, labelled respectively as the discourse-architectural metaperspective, the communal metaperspective, the racialised metaperspective, and the literalised metaperspective. These varieties of the metaperspective are linked to typical linguistic indices and thematic preoccupations within each of the novels under analysis. Discussions are further supported by consideration of other contemporary, Booker Prize-winning works.
This original study of an entirely new concept within the disciplines of stylistics and narratology has enormous potential and value for the understanding of literary texts. The practical stylistic analyses are well grounded in existing scholarship, making use of concepts like empathy, point of view and reader positioning, all of which are current and important approaches to narrative texts.
This highly innovative book introduces a new concept in the field of stylistics , but it also explores it through analyses of highly relevant concepts and areas of stylistic study.
Adam applies the concept of the metaperspective, centring on the thoughts of characters about other characters' views of them, to contemporary works of literary fiction and aligns it with existing stylistic and narratological approaches to narrative point of view.
Four recent winners of the Booker Prize - The Testaments (Margaret Atwood, 2019); Milkman (Anna Burns, 2018); A Brief History of Seven Killings (Marlon James, 2014); Lincoln in the Bardo (George Saunders, 2017) - figure as case-study novels. Each novel is tied to a specific iteration of the metaperspective, labelled respectively as the discourse-architectural metaperspective, the communal metaperspective, the racialised metaperspective, and the literalised metaperspective. These varieties of the metaperspective are linked to typical linguistic indices and thematic preoccupations within each of the novels under analysis. Discussions are further supported by consideration of other contemporary, Booker Prize-winning works.
This original study of an entirely new concept within the disciplines of stylistics and narratology has enormous potential and value for the understanding of literary texts. The practical stylistic analyses are well grounded in existing scholarship, making use of concepts like empathy, point of view and reader positioning, all of which are current and important approaches to narrative texts.
Reviews / Votes
Metaperspectives in Contemporary Literary Fiction offers new insights into the concept of metaperspective, or 'what a character thinks another character thinks about them'. Using stylistic and narratological approaches to analyse (Man) Booker Prize winning works, Adam provides an excellent understanding of the roles of metaperspective as a central device in creating characterization and plot themes. * Marina Lambrou, Associate Professor in English Language and Linguistics, and Honorary Affiliate, Kingston University, UK * In this book, Naomi Adam provides a rich and compelling account of the function of metaperspectives in Booker prize-winning novels. Combining expert linguistic analysis with sensitive and insightful exploration of the form and function of the novel, Adam's work is a must-read for anyone interested in the stylistics of contemporary fiction' * Marcello Giovanelli, Aston University, UK * This fascinating book draws on social psychology and stylistics to examine new facets of point of view in fiction. Adams deftly evidences the role of multiple, embedded character perspectives in the effects of a diverse set of prize-winning novels and develops a very useful typology to deal with their nuances. * Sara Whiteley, Senior Lecturer in English Language & Literature, University of Sheffield, UK *More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
Professional and scholarly
College/higher education
Illustrations
10 bw illus
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 17 mm
Weight
517 gr
ISBN-13
978-1-350-46582-4 (9781350465824)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
05/2026
Bloomsbury Academic
€105.99
Available for download

E-Book
05/2026
Bloomsbury Academic
€105.99
Available for download
Person
Naomi Adam is Editor of The Letters Page at the University of Nottingham, UK, and a postdoctoral researcher at the University of Liverpool's Digital Media and Society Institute.
Content
List of Figures
List of Tables
Acknowledgements
1. Introduction
2. The Text-Possible Framework
3. The Metaperspective and Point of View
4. The Discourse-architectural Metaperspective and the Hypothetical Reader in Margaret Atwood's The Testaments
5. The Communal Metaperspective and Communal Hypothetical Focalisation in Anna Burns' Milkman
6. The Racialised Metaperspective and Mind Style in Marlon James' A Brief History of Seven Killings
7. The Literalised Metaperspective and Empathy in George Saunders' Lincoln in the Bardo
8. Conclusions and Future Prospects
Notes
References
Index
List of Tables
Acknowledgements
1. Introduction
2. The Text-Possible Framework
3. The Metaperspective and Point of View
4. The Discourse-architectural Metaperspective and the Hypothetical Reader in Margaret Atwood's The Testaments
5. The Communal Metaperspective and Communal Hypothetical Focalisation in Anna Burns' Milkman
6. The Racialised Metaperspective and Mind Style in Marlon James' A Brief History of Seven Killings
7. The Literalised Metaperspective and Empathy in George Saunders' Lincoln in the Bardo
8. Conclusions and Future Prospects
Notes
References
Index