The Cambridge Introduction to Narrative
Published on 4. March 2002
Book
Hardback
218 pages
978-0-521-65033-5 (ISBN)
Description
The Cambridge Introduction to Narrative is designed to help readers understand what narrative is, how it is constructed, how it acts upon us, how we act upon it, how it is transmitted, and how it changes when the medium or the cultural context change. Porter Abbott emphasises that narrative is found not just in the arts but everywhere in the ordinary course of people's lives. Abbott grounds his treatment of narrative by introducing it as a human phenomenon that is not restricted to literature, film, and theatre, but is found in all activities involving the representation of events in time. At the same time, he honours the fact that out of this common capability have come rich and meaningful narratives that we come back to and reflect on repeatedly in our lives. An indispensable tool for students and teachers alike, this book will guide readers through the fundamental aspects of narrative.
Reviews / Votes
'Abbott brilliantly zeroes in on the architecture of narrative with an exactness and bent for orderly exposition that utterly redeems his subject. The result is a superb taxonomy of what narrative means today.' Chronicle of Higher Education 'Directness, accessibility, and coherence distinguish this brief but comprehensive study of narrative. It is very much the 'introduction' its title asserts because Abbott is consistent in his efforts to identify, explain and define. His approach is down-to-earth, even conversational, and yet he integrates terms or references intrinsic to the study of narrative. The plethora of examples and illustrations - both 'classic' and contemporary, drawn from critical and theoretical texts, novels, short stories ... films and television - is a major strength making narrative concepts clear ... Most highly recommended.' ChoiceMore details
Series
Language
English
Place of publication
Cambridge
United Kingdom
Target group
College/higher education
Professional and scholarly
Illustrations
8 Halftones, unspecified
Dimensions
Height: 237 mm
Width: 159 mm
Thickness: 20 mm
Weight
475 gr
ISBN-13
978-0-521-65033-5 (9780521650335)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions
H. Porter Abbott
The Cambridge Introduction to Narrative
Book
04/2008
2nd Edition
Cambridge University Press
€90.36
Article exhausted; check for reprint
Person
Content
Preface; 1. Narrative and life: The universality of narrative; Narrative and time; Narrative perception; 2. Defining narrative: The bare minimum; Story and narrative discourse; The mediation (construction) of story; Constituent and supplementary events; Narrativity; 3. The borders of narrative: Framing narratives; Paratexts; The outer limits of narrative; Is it narrative or is it life itself?; 4. The rhetoric of narrative: Causation; Normalization; Masterplots; Narrative rhetoric at work; 5. Closure: Conflict: the agon; Closure and endings; Closure, suspense, and surprise; Closure at the level of expectations; Closure at the level of questions; Absence of closure; 6. Narration: a few words on interpretation: The narrator; Voice; Focalization; Distance; Reliability; Free indirect style; Narration on stage and screen; 7. Interpretation: The implied author; Underreading; Overreading; Gaps; Cruxes; Repetition: themes and motifs; 8. Three ways to interpret narrative: The question of wholeness in narrative; Intentional readings; Symptomatic readings; Adaptive readings; 9. Adaptation across media: Adaptation as creative destruction; Duration and pace; Character; Figurative language; Gaps; Focalization; Constraints of the marketplace; 10. Character and self in narrative: Character vs. action; Flat and round characters; Can characters be real?; Types; Autobiography; Life writing as performative; 11. Narrative contestation: A contest of narratives; A narrative lattice-work; Shadow stories; Motivation and personality; Masterplots and types; Revising cultural masterplots; Battling narratives are everywhere; 12. Narrative negotiation; Critical reading as narrative negotiation; Closure one more time; The end of closure?; Glossary; Index.