1. This book proposes a new critical method for the Divine Comedy which focuses not only on language-as-writing but also and equally on other discursive modes that the Divine Comedy authorizes.
2. This is the first book of its kind to apply semiotics and multimodality to the critical study of the Divine Comedy.
3, As of today, we do not have yet a critical theory that allows us to understand the combined function of semiotics and multimodality for the creation of new forms of signification in general and, most importantly, for the Divine Comedy.
4. This book aims at developing a semiotic theory of multimodality for those modes that emerge from Dante's text, and attempts to clarify the ontological boundaries and limitations set forth by different modalities.
5. It is an innovative, useful study which contributes to the advancement of Dante Studies, Literary Criticism (with a focus on literary semiotics), Multimedia/Multiliteracy, philosophy of language, communication, and education.
Reihe
Auflage
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Illustrationen
10 Line drawings, black and white; 9 Halftones, black and white; 19 Illustrations, black and white
ISBN-13
978-1-000-95208-7 (9781000952087)
Schlagworte
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Thema Klassifikation
DNB DDC Sachgruppen
Dewey Decimal Classfication (DDC)
BIC 2 Klassifikation
BISAC Klassifikation
Raffaele De Benedictis holds a Ph.D. in Italian from the University of Toronto and is Associate Professor of Italian at Wayne State University. He teaches courses on Dante, Literary Criticism, and Italian Culture. He is the author of two books and several articles on Dante, semiotics, and Italian culture.
List of abbreviations
1. A Semiotic Theory of Multimodality for the Divine Comedy
2. The Semiotics of Multimodality in Discourse
3. Early and Recent Forms of Multimodality in the Inferno
4. Purgatorio's Signifying Modes
5. Modality of Transcendental Signification in the Paradiso
6. Conclusion
Index
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