Faerie Queen

 
 
Digireads.com Publishing
  • erschienen am 1. Januar 2014
  • |
  • 660 Seiten
 
E-Book
978-1-4209-5044-1 (ISBN)
 
Considered to be one of the most difficult poems in the history of the English language, "The Faerie Queen" by Edmund Spenser is a marvelous epic poem depicting the virtues of the legendary King Arthur and his knights in a mythical place called Faerieland. Spenser based his interpretation of the virtues on those named by Aristotle and Thomas Aquinas. Each one of the seven books discusses a different hero who displays one of these virtues; however, this entire collection was meant to be a tribute to Queen Elizabeth and the Tudor family. The stories are intricate and sometimes hard to understand. The language follows Spenserian prose and is intentionally archaic; Spenser wanted his work to have a mythical feel rather than being a modern piece. Each work was specifically chosen to evoke a certain feeling or image, allowing Spenser to make the world of Faerieland have an enchanting feeling. All readers who make their way through the text find that they are rewarded by the epic poem's masterful plots and inventive setting. Many refer to "The Faerie Queen" as early science fiction, since Spenser merges a mystical Faerieland with Arthurian legend. Students of history and literature will enjoy this timeless classic for its challenging rhetoric, but also for its vivid depictions and stunning allegorical significance.
  • Englisch
  • Stilwell
  • |
  • USA
Neeland Media LLC
978-1-4209-5044-1 (9781420950441)
1420950444 (1420950444)
weitere Ausgaben werden ermittelt
  • Intro
  • LIFE OF EDMUND SPENSER.
  • NOTE ON THE FAERIE QUEEN.
  • A LETTER OF THE AUTHOR'S
  • VERSES ADDRESSED BY THE AUTHOR OF THE FAERIE QUEEN TO SEVERAL NOBLEMEN, ETC.
  • THE FIRST BOOK
  • CANTO I.
  • CANTO II.
  • CANTO III.
  • CANTO IV.
  • CANTO V.
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII.
  • CANTO IX.
  • CANTO X.
  • CANTO XI.
  • CANTO XII.
  • THE SECOND BOOK
  • CANTO I.
  • CANTO II.
  • CANTO III.
  • CANTO IV.
  • CANTO V.
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII.
  • CANTO IX.
  • CANTO X.
  • CANTO XI.
  • CANTO XII.
  • THE THIRD BOOK
  • CANTO I.
  • CANTO II.
  • CANTO III.
  • CANTO IV.
  • CANTO V.
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII.
  • CANTO IX.
  • CANTO X.
  • CANTO XI.
  • CANTO XII.
  • THE FOURTH BOOK
  • CANTO I.
  • CANTO II.
  • CANTO III.
  • CANTO IV.
  • CANTO V.
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII.
  • CANTO IX.
  • CANTO X.
  • CANTO XI.
  • CANTO XII.
  • THE FIFTH BOOK
  • CANTO I.
  • CANTO II.
  • CANTO III.
  • CANTO IV.
  • CANTO V.
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII.
  • CANTO IX.
  • CANTO X.
  • CANTO XI.
  • CANTO XII.
  • THE SIXTH BOOK
  • CANTO I.
  • CANTO II.
  • CANTO III.
  • CANTO IV.
  • CANTO V.
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII.
  • CANTO IX.
  • CANTO X.
  • CANTO XI.
  • CANTO XII.
  • TWO CANTOS OF MUTABILITY
  • CANTO VI.
  • CANTO VII.
  • CANTO VIII. (Imperfect.)

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