Introduction, Roman Ingarden: The Life of a Philosophical Work,Natalia Anna Michna (Jagiellonian University, Poland) and Leszek Sosnowski (Jagiellonian University, Poland)
Part I: Ontology
1. Modes and Moments in Ingarden's Ontology, Peter Simons (Trinity College Dublin, Ireland)
2. Logical Modalities, Existential Moments, and Modes of Being: Some Reflections on Ingarden's Existential Ontology, Jan Wolenski (Jagiellonian University, Poland)
3. Questions Concerning Reality: Ingarden's Erotetic Path Towards Realism, Giuditta Corbella (Università Cattolica del Sacro Cuore, Italy)
4. 'Sound and/or tones? Scruton, Ingarden (... and Levinson) on musical aesthetics and ontology', Edward M. Swiderski (University of Fribourg, Switzerland)
Part II: Aesthetics
5. Lipps, Stein and Ingarden on Empathy and the Coexperiencing of Value in the Aesthetic Experience, Jeff Mitscherling (University of Guelph, Canada)
6. 8-Bit Mystique: An Ingardenian Aesthetic Analysis of the Appeal of Retro Computer Games, Matthew Gladden (Polish Academy of Sciences, Poland)
7. Roman Ingarden on Aesthetic Attention, Harri Mäcklin (University of Helsinki, Finland)
8. Time and its Indeterminacy in the Literary Work of Art, Charlene Elsby (University of Ottawa, Canada)
Notes on Contributors
Index