Stories are much more than a means of communication-stories help us shape our identities, make sense of the world, and mobilize others to action. In Narrative Criminology, prominent scholars from across the academy and around the world examine stories that animate offending. From an examination of how criminals understand certain types of crime to be less moral than others, to how violent offenders and drug users each come to understand or resist their identity as 'criminals', to how cultural narratives motivate genocidal action, the case studies in this book cover a wide array of crimes and justice systems throughout the world. The contributors uncover the narratives at the center of their essays through qualitative interviews, ethnographic fieldwork, and written archives, and they scrutinize narrative structure and meaning by analyzing genres, plots, metaphors, and other components of storytelling. In doing so, they reveal the cognitive, ideological, and institutional mechanisms by which narratives promote harmful action. Finally, they consider how offenders' narratives are linked to and emerge from those of conventional society or specific subcultures. Each chapter reveals important insights and elements for the development of a framework of narrative criminology as an important approach for understanding crime and criminal justice. An unprecedented and landmark collection, Narrative Criminology opens the door for an exciting new field of study on the role of stories in motivating and legitimizing harm.
weitere Ausgaben werden ermittelt
Lois Presser is Professor of Sociology at the University of
Tennessee. She is the author of Why We Harm and Been a
Heavy Life: Stories of Violent Men. Sveinung Sandberg is Professor in the Department of Criminology and
Sociology of Law, University of Oslo. His work has appeared in journals
such as Sociology, British Journal of Sociology, British Journal of Criminology, Theoretical Criminology, and Sociology of Health & Illness.
- Foreword: Narrative Criminology as the New Mainstream
- Introduction: What Is the Story?
- PART I. STORIES CONSTRUCT PROPER SELVES
- 1. The Rapist and the Proper Criminal: The Exclusion of Immoral Others as Narrative Work on the Self
- 2. In Search of Respectability: Narrative Practice in a Women's Prison in Quito, Ecuador
- 3. Gendered Narratives of Self, Addiction, and Recovery among Women Methamphetamine Users
- 4. Moral Habilitation and the New Normal: Sexual Offender Narratives of Posttreatment Community Integration
- PART II. STORIES ANIMATE AND MOBILIZE
- 5. "The Race of Pale Men Should Increase and Multiply": Religious Narratives and Indian Removal
- 6. Meeting the Djinn: Stories of Drug Use, Bad Trips, and Addiction
- 7. Telling Moments: Narrative Hot Spots in Accounts of Criminal Acts
- PART III. STORYTELLING, CREATIVE AND REFLEXIVE
- 8. The Shifting Narratives of Violent Offenders
- 9. Narrative Criminology and Cultural Criminology: Shared Biographies, Different Lives?
- 10. Narratives of Tax Evasion: The Cultural Legitimacy of Harmful Behavior
- Conclusion: Where to Now?
- About the Contributors
"This is a most interesting, rather eclectic collection of papers presented within an allegedly new category of `narrative criminology.' Essentially, the editors maintain the importance of storytelling for a better understanding of `crime,' and, of course, are quite right to do so. Summing Up: Highly recommended."-Choice "[The book] is positioned to draw on insights and methods from a vast field of inquiry and make the case for narrative as an important and putatively neglected perspective for understanding matters of crime and justice. In this volume, Lois Presser and Sveinung Sandberg bring together a set of contributions designed to do just that."-Cultural Sociology "Thisis an impressively global collection of case studies. Together thesedemonstrate the flexibility, ubiquity and enduring utility of the concept ofnarrative for criminology. It is shown to be both an analytic tool for scholarsand a resource shaping action and belief in the lifeworld. By exploring and highlighting these two propertiesthis book provides a valuable service to cultural criminology."-Philip Smith,author of Punishment and Culture "These essays provide a fascinating sense of the different perspectives narrative criminologists bring to understanding crime."-Critical Criminology "Lois Presser and Sveinung Sandberg are ontosomething with this smart, beautifully organized collection of rich essays,each showing the importance of the `narrative turn' not only to sociology andacross disciplines, but to criminology. The collection shows how people involved with crime, and criminologistsourselves, use narrative all the time even though, until now, we may not haveknown why.This book is bound to be the`go to' volume about the centrality of stories to the criminologicalenterprise."-Lynn Chancer,author of High Profile Crimes: When Legal Cases Become Social Causes
Dewey Decimal Classfication (DDC)
Adobe-DRM (Digital Rights Management)Systemvoraussetzungen:
Computer (Windows; MacOS X; Linux): Installieren Sie bereits vor dem Download die kostenlose Software Adobe Digital Editions (siehe E-Book Hilfe).
Tablet/Smartphone (Android; iOS): Installieren Sie bereits vor dem Download die kostenlose App Adobe Digital Editions (siehe E-Book Hilfe).
E-Book-Reader: Bookeen, Kobo, Pocketbook, Sony, Tolino u.v.a.m. (nicht Kindle)
Das Dateiformat PDF zeigt auf jeder Hardware eine Buchseite stets identisch an. Daher ist eine PDF auch für ein komplexes Layout geeignet, wie es bei Lehr- und Fachbüchern verwendet wird (Bilder, Tabellen, Spalten, Fußnoten). Bei kleinen Displays von E-Readern oder Smartphones sind PDF leider eher nervig, weil zu viel Scrollen notwendig ist. Mit Adobe-DRM wird hier ein "harter" Kopierschutz verwendet. Wenn die notwendigen Voraussetzungen nicht vorliegen, können Sie das E-Book leider nicht öffnen. Daher müssen Sie bereits vor dem Download Ihre Lese-Hardware vorbereiten.