Bitterhall

A Novel
 
 
Polygon An Imprint of Birlinn Limited (Verlag)
  • erschienen am 1. April 2021
  • |
  • 368 Seiten
 
E-Book | ePUB mit Adobe-DRM | Systemvoraussetzungen
978-1-78885-375-0 (ISBN)
 
'Hauntingly delicious' - Sunday Post



Bitterhall is a story of obsession told between three unreliable narrators. Daniel, O rla and Tom share a flat and narrate the intersections of their lives, from future-world 3D printing technology to the history of the book, to a stolen nineteenth-century diary written by a dashing gentleman who may not be entirely dead. A Hallowe'en party leads to a series of entanglements, variously a longed-for sexual encounter clouded by madness, a betrayal, and a reality-destroying moment of possession.
  • Englisch
  • Edinburgh
  • |
  • Großbritannien
Birlinn General
978-1-78885-375-0 (9781788853750)

weitere Ausgaben werden ermittelt
Helen McClory is the author of two story collections, On the Edges of Vision (Queen's Ferry Press), a winner of the Saltire First Book of the Year award, and Mayhem & Death (404 Ink), as well as a novel, Flesh of the Peach (Freight, 2017). The Goldblum Variations - a collection of experimental micro-fictions - was published by 404 Ink, and Penguin in 2019. Her short stories have been listed for distinction in The Best of British Fantasy (2018), The Best of British and Irish Flash Fictions (2018/19), and nominated for the Pushcart prize. Helen is a part-time lecturer at the University of Glasgow and co-founder of writing retreat Write Toscana.
  • Cover
  • Title
  • Copyright
  • Daniel Lightfoot
  • Autumn Soft
  • The Self
  • Pathetic Fallacy
  • Fixes
  • Men of the House
  • The Annunciation
  • Himself
  • The Tour
  • Herself
  • Already
  • Pale Like Grass Dead Almost
  • Lights
  • But Not Yet
  • James
  • He Sees Me
  • We Have the Room
  • In Silence
  • Epiphany of the Copied Good
  • Not the Thing Itself
  • The Sky Falls and My Heart Is Glad
  • Reckon
  • Reckoning
  • Entry, Entrances
  • Gnaw
  • Be Well
  • A Seed
  • Come to the House
  • Blithe Spirit
  • Decadent Loss
  • Thematic Continuity
  • Open Books
  • In the Kitchen
  • A Glass of Water, an Open Invitation
  • Hangover Deluxe
  • Too Much of a Body and Things Done With It
  • Baited
  • Reconstitutional
  • He Kissed Me
  • Narrative
  • Resolving
  • Órla McLeod
  • Between Dog and Wolf
  • Tom Decays
  • Distraction/Decoction
  • Speech as Union
  • Performative Utterance
  • Dim Spaces
  • Captain Panic
  • Swallowing Tree
  • Repeat
  • Invitation
  • Skin
  • Some Quiet Hour
  • Formal Settings
  • The Person Asleep Is With Many Others
  • Folie à Deux a Real Risk
  • Lennoxlove
  • Morning
  • Neck of the Woods
  • On a Bench Overlooking the Edge
  • The Cold Bitch
  • Healthy Things
  • A Star Objects to Its Discovery
  • Minto
  • The Revenant
  • Plumping
  • Walking Wounding
  • Between
  • And We Danced
  • Ballad of the Modernist House
  • Interlude
  • The Drinking
  • Rescuing Tom
  • Sitting With It
  • Double
  • A Violence
  • Daniel Avant
  • To Be Suddenly Unseen
  • After There is a Touching Absence
  • Call
  • When I'm Gone
  • How I imagine It Goes
  • Tom Mew
  • Gully
  • The Structure
  • Gym
  • Daniel
  • Daniel, Daniel
  • Thread
  • A Partial List of Objects I Unboxed at Cloudberry
  • An Introduction to Him
  • Diary
  • Timing and Presentation
  • James, James
  • Occupation
  • Recycle
  • Doubling
  • Passage
  • Still
  • Patter
  • Corpse Road
  • Contained
  • Thought Silencer
  • The End of Being Tired
  • Habitual
  • Plans Moving Forward
  • Gifted
  • Alight Here
  • Seen
  • Fed
  • Bedding
  • In Bitterhall
  • Flatmates
  • An Interesting Discussion
  • Presentation
  • Finding
  • Katabasis
  • Through
  • MacAshfalls'
  • Circling
  • Wander
  • Sliver
  • Finally
  • Red Room
  • Kiss
  • Waking
  • Invisible
  • Company
  • Deep North
  • Conflare
  • Swoon
  • Sunk
  • Daniel Lightfoot
  • Rise
  • Órla McLeod
  • Hind
  • Daniel Lightfoot
  • Grip
  • Órla McLeod
  • Meet
  • Tom Mew
  • Find
  • Us
  • Acknowledgements
'Hauntingly delicious' * Sunday Post * 'A dark novel filled with obsession and intrigue' * Scots Magazine * 'A ghostly, shape-shifting novel from a rising Scottish writer... playfully alert to ideas of authenticity, possession and the malleable nature of narrative' * Daily Mail * 'snatched, impressionistic chapters [which] can switch between personal reflection and prose poetry - an elegant style which only gains in effectiveness as the haunted, gothic undercurrent of the novel becomes more apparent' * Herald * 'a true wordsmith and sorcerer who can bend words around her fingers into poetic and fantastic sentences' * Goodreads * 'Told in McClory's rangy, poetic prose, Bitterhall just works. Beautifully' * Lunate Fiction * 'Helen McClory is an extremely accomplished and intelligent novelist, which is what makes Bitterhall such a delight ...[It] quickly establishes itself in the great Scottish tradition of Hogg's Private Memoirs and Confessions of a Justified Sinner and Stevenson's Strange Case of Jekyll and Hyde. It is a novel of splits, doubles ghosts, the cleaving and the cloven. In some ways, it reminded me of the late Iain Banks. I ended it wondering what would happen to the characters next - a testament to its power' -- Stuart Kelly * Scotland on Sunday * '[Bitterhall has] the enjoyment factor - I liked spending time with these characters. [McClory's] writing is immersive, [she] creates a very particular world. I really recommend it' * BBC Radio Scotland * 'Reeling with edge of your seat atmosphere Bitterhall is brilliantly unnerving novel that explores the liminal blurring of inner life with outward reality. Laced with dry wit, this shrewdly-written read rises to a gripping, question-raising climax' * Lovereading.co.uk * 'A ... substantial meal, rich and gamey if one was to take Atwood's metaphor before she could snatch it back and drive a dining fork through its now blackened heart. ... intriguing revelations ... What is fascinating about the book is the role of the diary and how James Lennoxlove appears to be pushing from the past into the present' * Sunday Times * 'A dark, intricate tale of a haunting...the plot, intriguing in itself, works as a vessel through which objective reality can be explored and questioned [but] McClory always draws us back in with her solid grasp on the physical world and the people who inhabit it' * Press & Journal * 'McClory's poetic prose is punctuated by haunting images and stark observations, deftly moving from the internal to the external [with] a witty sense of humour. A novel of pieces, short snappy chapters, multiple narrators and myriad themes...expertly drawn' * Dundee Courier * 'Moving, ambitious and strange in the best way ... a story about what it is to be haunted, which haunts you in turn' * The Bookseller * 'Bitterhall, McClory's finest achievement to date, is many things: a mesmerising neo-gothic yarn; a technically adroit act of storytelling; a showcase for McClory's poetically rich prose; and a deeply moving story of three broken young lives' * The Skinny * 'A tantalising deep dive into characters' lives. This haunting story of love and friendship will have you hooked from the get-go. If you like a novel that leaves you questioning everything, this one is for you' * Scottish Field * 'brings together the literary and the metaphysical ... You might be drawn in by the writing, but you'll stay for the stories. And what more can you ask of a novel?' * Snack Magazine * 'And writing out of Scotland, Helen McClory's boldly playful practice is poising itself to open up whole new genres for our new age' -- Kei Miller * The Guardian, UK's 10 best emerging writers *

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