The New York Times bestselling novel, from the author of Station Eleven.
'A damn fine novel . . . haunting and evocative and immersive' George R R Martin
Vincent is the beautiful bartender at the Hotel Caiette, a five-star glass-and-cedar palace on the northernmost tip of Vancouver Island. New York financier Jonathan Alkaitis owns the hotel. When he passes Vincent his card with a tip, it's the beginning of their life together. That same day, a hooded figure scrawls a note on the windowed wall of the hotel: 'Why don't you swallow broken glass.' Leon Prevant, a shipping executive for a company called Neptune-Avramidis, sees the note from the hotel bar and is shaken to his core. Thirteen years later Vincent mysteriously disappears from the deck of a Neptune-Avramidis ship.
Weaving together the lives of these characters, Emily St. John Mandel's The Glass Hotel moves between the ship, the towers of Manhattan, and the wilderness of remote British Columbia, painting a breathtaking picture of greed and guilt, fantasy and delusion, art and the ghosts of our pasts.
Emily St. John Mandel
The Glass Hotel is as tightly constructed as a detective fiction, with its mysteries, apparently discrete events leading to revelations, dire consequences . . . a superb performance * Sydney Morning Herald * A mysterious and delicate book . . . The Glass Hotel beautifully depicts the many lives impacted by the collapse of an ambitious Ponzi scheme * Elle Magazine (USA) * Mandel's wonderful novel (after Station Eleven) follows a brother and sister as they navigate heartache, loneliness, wealth, corruption, drugs, ghosts, and guilt . . . This ingenious, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness. * Publishers Weekly, starred * Long-anticipated . . . At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical . . . In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure. A strange, subtle, and haunting novel. * Kirkus Reviews, starred * Another tale of wanderers whose fates are interconnected . . . nail-biting tension . . . Mandel weaves an intricate spider web of a story . . . A gorgeously rendered tragedy. * Booklist, starred * Mandel's wonderful novel (after Station Eleven) follows a brother and sister as they navigate heartache, loneliness, wealth, corruption, drugs, ghosts, and guilt . . . This ingenious, enthralling novel probes the tenuous yet unbreakable bonds between people and the lasting effects of momentary carelessness -- <i>Publishers Weekly</i> (starred review) A beguiling tale about skewed morals, reckless lives and necessary means of escape. -- <i>The Economist</i> An eerie, compelling follow-up... not your grandmother's Agatha Christie murder mystery or haunted hotel ghost story... The novel's ongoing sense of haunting extends well beyond its ghosts... The ghosts in The Glass Hotel are directly connected to its secrets and scandals, which mirror those of our time... Like all Mandel's novels, The Glass Hotel is flawlessly constructed... The Glass Hotel declares the world to be as bleak as it is beautiful, just like this novel. -- Rebecca Steinitz, <i>The Boston Globe</i> The question of what is real-be it love, money, place or memory-has always been at the heart of Ms. Mandel's fiction... Her narratives snake their way across treacherous, shifting terrain. Certainties are blurred, truth becomes malleable and in The Glass Hotel the con man thrives... Lyrical, hypnotic images... suspend us in a kind of hallucinatory present where every detail is sharply defined yet queasily unreliable. A sense of unease thickens... Ms. Mandel invites us to observe her characters from a distance even as we enter their lives, a feat she achieves with remarkable skill. And if the result is a sense not only of detachment but also of desolation, then maybe that's the point. -- Anna Mundow, <i>Wall Street Journal</i> The Glass Hotel may be the perfect novel for your survival bunker... Freshly mysterious... Mandel is a consummate, almost profligate world builder. One superbly developed setting gives way to the next, as her attention winds from character to character, resting long enough to explore the peculiar mechanics of each life before slipping over to the next... That Mandel manages to cover so much, so deeply is the abiding mystery of this book. The 300 pages of The Glass Hotel work harder than most 600-page novels... The disappointment of leaving one story is immediately quelled by our fascination in the next... The complex, troubled people who inhabit Mandel's novel are vexed and haunted by their failings, driven to create ever more pleasant reflections of themselves in the glass. -- Ron Charles, <i>The Washington Post</i> I've waited five long years for this - and it was absolutely worth it.
In this stunning and meandering story full of beautiful prose ... Set in Vancouver Island's dazzling surroundings, this is an extraordinary read. -- <i>Prima,</i> Book of the Month A fascinating and affecting read -- <i>Stylist</i> A damn fine novel . . . she keeps me turning pages . . . haunting and evocative and immersive . . . I guess you can say I am a big Emily St. John Mandel fanboy. I look forward to whatever she writes next. -- George R R Martin Beautifully written and compelling, it will find its way straight to your heart. -- Red Deeply imagined, philosophically profound . . . The Glass Hotel moves forward propulsively, its characters continually on the run . . . Richly satisfying . . . The Glass Hotel is ultimately as immersive a reading experience as its predecessor [Station Eleven], finding all the necessary imaginative depth within the more realistic confines of its world . . . Revolutionary. -- Ruth Franklin * The Atlantic * The bestselling author of Station Eleven returns with this tale about the relationship between a New York financier, his waiter lover, a threatening note and a mysterious disappearance -- <i>Times</i>, Best books of 2020 No one can create beautiful, enmeshed, startlingly clever worlds the way Mandel does. A new novel by her is a cause for enormous, tumultuous celebration -- Daisy Johnson, author of <i>Everything Under</i>
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