The Violence of the Image

Photography and International Conflict
 
 
I.B. Tauris (Verlag)
  • erschienen am 23. Juli 2014
  • |
  • 288 Seiten
 
E-Book | PDF mit Adobe DRM | Systemvoraussetzungen
978-0-85772-576-9 (ISBN)
 
Photography has visualized international relations and conflicts from the midnineteenth century onwards and continues to be an important medium in framing the worlds of distant, suffering others. Although photojournalism has been challenged in recent decades, claims that it is dead are premature. The Violence of the Image examines the roles of image producers and the functions of photographic imagery in the documentation of wars, violent conflicts and human rights issues; tackling controversial ideas such as 'witnessing', the making of appeals based on displays of human suffering and the much-cited concept of 'compassion fatigue'. In the twenty-first century, the advent of digital photography, camera phones and socialmedia platforms has altered the relationship between photographers, the medium and the audience- as well as contributing to an ongoing blurring of the boundaries between news and entertainment and professional and amateur journalism. The Violence of the Image explores how new vernacular and artistic modes of photographic production articulate international friction.
This innovative, timely book makes a major contribution to discussions about the power of the image in conflict.
  • Englisch
  • Großbritannien
Bloomsbury Publishing PLC
33 bw integrated, 17 colour in 16pp plates
  • 10,32 MB
978-0-85772-576-9 (9780857725769)
weitere Ausgaben werden ermittelt
Liam Kennedy is Professor of American Studies and Director of the Clinton Institute for American Studies at University College Dublin, Ireland. He is the author of" Susan Sontag: Mind as Passion "(1995) and "Race and Urban Space in American Culture" (2000), and editor of "Urban Space and Representation" (1999), "The Visual Culture of Urban Regeneration" (2004), and "The Wire: Race, Class and Genre" (2012). Caitlin Patrick was Postdoctoral Fellow for the Photography and International Conflict project at University College Dublin from 2008-2011 and she is currently a Research Associate for Bournemouth University on a joint project entitled I-Witnessing: Global Crisis Reporting Through the Amateur Lens.
List of Illustrations vii
Contributors xii
Introduction: The Violence of the Image - Liam Kennedy
and Caitlin Patrick 1

Part I: Framing Civil and (Post-)Colonial Conflict 7
1 The Incorruptible Kodak: Photography, Human Rights
and the Congo Campaign - Christina Twomey 9
2 'Follow the Americans': Philip Jones Griffiths's Vietnam
War Trilogy - Liam Kennedy 34
3 The Violence of the Image: Conflict and Post-Conflict
Photography in Northern Ireland - Justin Carville 60
4 Dispelling the Myth of Invisibility: Photography and the
Algerian Civil War - Joseph McGonagle 78

Part II: Politics and Photographic Ethics at the Turn of the
Twentieth Century 95
5 The Myth of Compassion Fatigue - David Campbell 97
6 Infra-Destructure - Ariella Azoulay 125
7 Watching War Evolve: Photojournalism and New Forms
of Violence - Robert Hariman 139

Part III: The 'Unstable' Image: Photography as Evidence and
Ambivalence 165
8 Photo-Reportage of the Libyan Conflict - Stuart Allan 167
vi THE VIOLENCE OF THE IMAGE
9 Witnessing Precarity: Photojournalism, Women's/Human/
Rights and the War in Afghanistan - Wendy Kozol 193
10 The Forensic Turn: Bearing Witness and the 'Thingness'
of the Photograph - Paul Lowe 211
11 Ruins and Traces: Exhibiting Conflict in Guy Tillim's
Leopold and Mobutu - Caitlin Patrick 235

Select Bibliography 256
Index 274

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