Arthur Symons

Selected Writings
 
 
Routledge (Verlag)
  • erscheint ca. am 29. Oktober 2020
  • |
  • 100 Seiten
 
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978-1-000-10643-5 (ISBN)
 
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
  • Englisch
  • London
  • |
  • Großbritannien
Taylor & Francis Ltd
  • Für höhere Schule und Studium
  • 144,31 MB
978-1-000-10643-5 (9781000106435)
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ARTHUR SYMONS was born in Milford Haven in 1865. He lived in London, where he frequented the Rhymers' Club, a group of writers who met at the Cheshire Cheese in Fleet Street between 1891 and 1894. A friend of Ernest Dowson, Lionel Johnson and Wilde, he was an important influence on Yeats, with whom he shared lodgings for a time. He contributed to The Yellow Book and became editor of The Savoy. Symons was fluent in French and Italian; his The Symbolist Movement in Literature (1899) was influential in introducing French Symbolism to English readers. He was also a translator of Baudelaire and Zola, and a leading literary critic. Symons died in 1945. ROGER HOLDSWORTH lectures in English at the University of Manchester. He has edited plays by Jonson and Middleton, and has been a General Editor of the Malone Society.
INTRODUCTION -- FURTHER READING -- NOTE ON THE TEXT -- POETRY -- From Days ANd Nights ( 1889} -- The Fisher's Widow -- Scenes de la Vie de Boheme: Episode of a Night of May -- The Street-Singer -- The Opium-Smoker -- From Silhouettes ( 1892 ; 2nd ed., 1896} -- At Dieppe -- After Sunset -- On the Beach -- Requies -- Pastel: Masks and Faces -- Morbidezza -- J Maquillage -- Impression -- On the Heath -- At the Cavour -- In the Haymarket -- The Absinthe-Drinker -- Javanese Dancers -- April Midnight -- During Music -- Tears -- At Burgos -- For a Picture of Watteau -- From London Nights ( 1896; 2nd ed., 1897} -- Prologue -- Nora on the Pavement -- Violet -- Decor de Theatre -- Behind the Scenes: Empire -- The Primrose Dance: Tivoli -- La Me unite: Moulin Rouge -- Autumn Twilight -- Colour Studies -- At Dieppe -- At Glan-y-Wern -- Stella Maris -- Hallucination -- Hands -- White Heliotrope -- Nerves -- Celeste: The Prelude -- Song -- Clair de Lune -- Paris -- Bianca: Presages -- Epilogue: Credo -- From Amoris Victims (1897) 51 Amoris Exsul -- Moonrise -- In the Forest of Argues -- Twilight -- Argues: Night -- Amor Triumphans: The Dance -- From Images of Good and Evil (1899) -- from The Dance of the Daughters of Herodias -- Souls in the Balance: Mater Liliarum -- Opals -- In Ireland -- By the Pool at the Third Bosses -- In the Wood of Finvara -- Palm Sunday: Naples -- The Last Memory -- From The Loom of Dreams (1901) -- The Loom of Dreams -- Isolation -- From The Fool of the World (1906) -- Time and Beauty -- London -- For a Picture of Rossetti -- The Armenian Dancer -- The Andante of Snakes -- Song of the Sirens -- From Knave of Hearts 1894-1908 ( 191S) -- Venice -- Peau d'Espagne -- The Tarot Cards -- From Love's Cruelty (1923) -- Studies in Strange Sins (After Beardsley's Designs) : The Woman in the Moon -- For Des Esseintes : Tragic Dawn -- TRANSLATIONS -- From Theophile Gautier -- Posthumous Coquetry (1889) -- From Paul Verlaine -- Fetes Galantes (1896) 68 Pantomime -- L'Allee -- Fantoches -- Mandoline -- From Stephane Mallarme -- Sea-Wind (1899) -- Anguish (1902) -- PROSE -- From 'The Decadent Movement in Literature' (1895) -- From 'Dancers and Dancing' (1897) -- 'The World as Ballet' (1898) -- From The Symbolist Movement in Literature (1899 ) -- From 'The Choice' (1900) -- From 'A Paradox on Art' (1900) -- From 'What is Poetry?' (1901) 87 From 'Fact in Literature' (1902) -- From 'A Prelude to Life' (1905) -- From London: A Book of Aspects (1909) 95 From 'Impressionistic Writing' (1925) -- From 'Fantin-Latour and Whistler' (1926) -- From 'Aubrey Beardsley' (1929) -- From 'Unspiritual Adventures in Paris' (1931).

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