Textile Design

Products and Processes
 
 
CRC Press
  • 1. Auflage
  • |
  • erscheint ca. am 20. Oktober 2020
  • |
  • 268 Seiten
 
E-Book | PDF ohne DRM | Systemvoraussetzungen
978-1-000-21402-4 (ISBN)
 

This book includes fundamentals of textile processing technology with explanation of craft techniques, various stages of processing fibres and yarns with useful, readily understandable, line drawings. Fibrous types, dyes, yarns and cloths have been explained and material is supported by glossary and explanation of processing stages from fibre to finished cloth. Further, the considerations of relevance to the development and preparation of a design collection are outlined and discussed. Various testing procedures, including fibre, yarn and cloth identification methods, and important innovations in textile products and processing are identified and explained as well. Focused mainly on the needs of students specializing in textile or fashion design, at first year undergraduate university level, this book:

    • Covers all stages from fibre to finished cloth.

    • Discusses various stages of processing fibres and yarns.

    • Explains fibrous types, dyes, yarns and cloths supported by relevant glossary.

      • Presents explanations of both tactile and aesthetic aspects of textiles used in clothing.
      1. Auflage
      • Englisch
      • Milton
      • |
      • Großbritannien
      Taylor & Francis Ltd
      • Für höhere Schule und Studium
      201 schwarz-weiße Abbildungen
      • 118,89 MB
      978-1-000-21402-4 (9781000214024)
      weitere Ausgaben werden ermittelt
      Professor Michael Hann (BA, M.Phil, PhD, FRSA, FRAS, FTI) holds the Chair of Design Theory at the University of Leeds. He is also Director of ULITA - An Archive of International Textiles, an important international archive (and, in the context of this book, a rich source of illustrative material). He has published across a wide range of subject areas, has made numerous key-note addresses at international conferences, and is an acknowledged international authority on the geometry of design. He has held adjunct, visiting or invited professorships at institutions in Belgium, Taiwan, Hong Kong, Korea and China. Recent book publications include: Structure and Form in Design (Berg, 2012), Symbol, Pattern and Symmetry (Bloomsbury, 2013) and Stripes, Grids and Checks (Bloomsbury, 2015). A co-authored treatise entitled Patterns: Design and Composition (Routledge) is anticipated for publication in 2019, as is the single authored work The Grammar of Pattern (Taylor and Francis)

      Chapter 1: Introduction Chapter 2: Textile fibres 2.1 Introduction 2.2 Plant fibres 2.3 Animal fibres 2.4 Regenerated fibres 2.5 Synthetic fibres 2.6 Summary References Chapter 3: Yarns 3.1 Introduction 3.2 Filament, staple and other yarn types 3.3 Blending, cleaning and sliver formation 3.4 Drawing, doubling, roving and spinning 3.5 Twisting and winding and fancy yarns 3.6 Summary References Chapter 4: Weaving 4.1 Introduction 4.2 Techniques and variations 4.3 Principles and structures 4.4 Product types 4.5 World-wide distribution of techniques and products 4.6 Summary References Chapter 5: Knitting and other forms of yarn manipulation 5.1 Introduction 5.2 Knitting technique variations 5.3 Basic knitted structures 5.4 Netting, macramé, lace making, sprang, braiding and crochet 5.5 Embroidery 5.6 Summary References Chapter 6: Felt, bark and other nonwovens 6.1 Introduction 6.2 General types 6.3 Techniques and variations 6.4 Characteristics and properties 6.5 Products 6.6 Summary References Chapter 7: Dyes and their application 7.1 Introduction 7.2 Dye types 7.3 Dye techniques 7.4 Screens and other means 7.5 Digital printing 7.6 Summary References Chapter 8: Block-printing and resist-dyeing techniques 8.1 Introduction 8.2 Block printing 8.3 Tie-and-dye 8.4 Wax-, rice- and paste-resist techniques 8.5 Ikat techniques 8.6 Summary References

      Chapter 9: Finishing 9.1 Introduction 9.2 Pre-finishing processes 9.3 Fibre-specific processes 9.4 Mechanical processes 9.5 Chemical processes 9.6 Summary References Chapter 10: Motifs and patterns 10.1 Introduction 10.2 Motifs, patterns and thematic types 10.3 Grids 10.4 Means of production 10.5 Worldwide distribution 10.6 Summary References Chapter 11: Design development and presentation 11.1 Introduction 11.2 Market research 11.3 Sources 11.4 Observation, visualisation and representation 11.5 Theme boards and the presentation of ideas 11.6 Summary References Chapter 12: Testing and appraisal 12.1 Introduction 12.2 Fibre, yarn and cloth identification 12.3 Colour, strength, stretch and abrasion 12.4 Flammability and absorption 12.5 Suitability for purpose 12.6 Summary References Chapter 13 Further considerations 13.1 Introduction 13.2 Research and development 13.3 Examples of product innovations 13.4 Sustainability and ethical manufacture 13.5 Smart textiles 13.6 Summary References Chapter 14: In conclusion Glossary

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