The Witches of St Osyth

Rezensionen / Stimmen

'This terrific book is that of a historian at the top of her game, bringing all her knowledge, research skills, and writing ability to the task. In so doing, Marion Gibson has made an important addition to our knowledge of Elizabethan witchcraft. But the text is also written for a more general audience and is engagingly written with that audience in mind too. Thus, the book has all the virtues of a 'crossover' study that will appeal both to the academic specialist and the more general reader. It demonstrates that good history writing can be erudite as well as entertaining.' Philip Almond, University of Queensland 'This terrific book is that of a historian at the top of her game, bringing all her knowledge, research skills, and writing ability to the task. It demonstrates that good history can be erudite as well as entertaining.' Philip Almond, University of Queensland 'Marion Gibson is a very well-established and respected scholar with a particular reputation for expertise in the kind of sources she uses so effectively in this book. She is able to combine here first-rate academic research with a popular and accessible literary style. The book takes a very famous English witchcraft case and supplies genuinely new material by which that case may be understood, both by a close rereading of the celebrated text and by a contextualisation of it in a range of hitherto completely untapped local records.' Ronald Hutton, University of Bristol 'Marion Gibson is able to combine here first-rate academic research with a popular and accessible literary style.' Ronald Hutton, University of Bristol 'An excellent monograph and contribution to the field of witchcraft studies.' Diane Purkiss, University of Oxford 'This is a riveting piece of historical detective work ... Marion Gibson is an expert historian and a superb writer.' Malcolm Gaskill, BBC History Magazine 'A small triumph of popular scholarship.' David Aaronovitvch, The Times 'A remarkable book ... Gibson's sensitive reconstruction reads against the grain, draws on archival finds and reimagines lost magical landscapes.' Jan Machielsen, Times Literary Supplement