Musical Scenes and Social Class

1.Romain Garbaye and Gérôme Guibert, Université Sorbonne Nouvelle.- Introduction : social class, punk and metalClass domination and class agency.- 2.Andy Brown, independent researcher : Resistance Through Music.- Exploring the role of class fraction appropriations and alliances in the subcultural formation of heavy metal, classic, post and present.- _3 .Deirdre Gilfedder, Universite´ Paris-Dauphine : The early punk scene in Brisbane, Australia as site of social and postcolonial.- 4. Jeremy Tranmer, Université de Lorraine: " Victory to the Miners!" Punk and the Miners' Strike of 1984/85.- Subcultures, sub-genres and social class.- 5.Timothy Heron, Université de Strasbourg : '"Rotting in the suburbs" ? Voicing Working-Class Deprivation in 1970s Northern Ireland Punk Songs.- 6.Guillaume Clément, Université de Rennes : Working-class and middle-class in the age of Brexit: social commentary by contemporary post-punk bands.- 7. Eric Smialek, Huddersfield University : Mapping Social-Class Divisions within Metal: Global Material Conditions, Disciplinary Priorities, Subgeneric Trends, and Stylistic Analyses.- Evolving audiences : ageing, gentrification, feminization?.- 8. Pierig Humeau, Universite´ de Limoges : « We're dominated, So What" ? We Don't Give a F**k : Punk Stylistic Spaces, Social Classes and Political-artistic Ageing" inFrance.- 9.Rosemary Lucy Hill, Huddersfield University, Molly Megson, University of Hull, and David Hesmondhalgh, University of Leeds : Sexual Violence in the Pit.- 10. Corentin Charbonnier, Universite´ de Tours : Gentrifying metal ? The Evolving Gender and Social Class characteristics of Metal Festival Audiences : A Statistical Study of the HellfestFestival (France).- 11.Charle'ne Be´nard, Université Sorbonne Nouvelle: Who listens to « metal for girls » ? Metal, orchestra and female voices: measuring the reception of symphonic metal.