Pevsner: The BBC Years gives the first full account of Sir Nikolaus Pevsners engagement with the BBC at a time when both were the dominant institutions in their own fields -- Pevsner as the most persuasive figure in architecture and art history, the BBC as the country's sole broadcaster. A German emigr, Pevsner was not at first trusted to speak on the air, and was only invited to appear at the very end of the war, in spite of his growing eminence in academia and publishing. With the arrival of the Third Programme in 1946, however, he quickly became a broadcasting celebrity, and one whom senior BBC figures regarded as essential and novel listening.Pevsner: The BBC Years looks at the sudden rise in Pevsners standing at the BBC, at what he was admired for, and at the circumstances surrounding his being commissioned, in the mid-1950s, to give the first series of Reith Lectures on an arts subject -- the relationship between visual expression and national identity.The book explains the roles played by Geoffrey Grigson, Basil Taylor, Anna Kallin and Leonie Cohn in advancing Pevsner's BBC career, analyses the literary character of his broadcasting, and considers the function of his talks as an extension of European belletrism. It also demonstrates the significance of his concurrent editorship of the King Penguin series of books. In addition, Pevsner: The BBC Years documents the unravelling of Pevsner's reputation. It shows how he was caught between changing fashions in media culture and damaged by doubts about the safety of his ideas, both within the BBC and, externally, among British conservatives who found him too radical and American radicals who found him too conservative.In Pevsner: The BBC Years, correspondence from the BBCs archives provides a case study of scholarly thought being exposed to independent scrutiny -- a process with lessons for today.
||Taylor & Francis Ltd
Höhe: 244 mm
Breite: 172 mm
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Stephen Games is a designer and writer specialising in architecture and cultural history. Formerly with the BBC, the Guardian and the Independent, he has written extensively about Nikolaus Pevsner and John Betjeman, runs the New Premises design studio in North London, and teaches around the world. He was educated at the Central School of Art and Magdalene College, Cambridge, has lectured on architectural history and theory at Kent University, and has taught at Boston University and Temple University, Philadelphia. He is the winner of a British Press Award and has twice been a guest scholar at the Getty Research Institute, Los Angeles.
- List of Figures and Tables
- Part 1: Chronology
- 1 Introduction
- 2 A German in London
- 3 Geoffrey Grigson
- 4 The BBC at War
- 5 First Broadcasts
- 6 The Third Programme
- 7 The First Four Years
- 8 King Penguins
- 9 Into the Fifties
- 10 The Reith Lectures
- 11 Fallout from the Reiths
- 12 His Last Gasp
- Part 2: Context
- 13 Audience Response
- 14 Press Response
- 15 Critical Response
- 16 Pevsner's Language
- 17 The Changing Character of the BBC
- 18 Pevsner's Vulnerability-a Test Case
- 19 Pevsner's Producers and Englishness
- 20 Belles-Lettres
- Part 3: Appendices
- Appendix A: Correspondence in The Listener
- Appendix B: Broadcast Variations and Corrigenda
- Appendix C: Pevsner's King Penguins
- Appendix D: Basil Taylor Bibliography
- Appendix E: Pevsner's BBC Audience Appreciation Index
- Appendix F: BBC Talks Division: Staff Educational Background
- Appendix G: Reviews of Pevsner's Books in the UK Press to the Endof 1950
- Appendix H: Pevsner's Journalism from 1945
`Stephen Games is a leading authority on the life and work of Nikolaus Pevsner and this lucid and immensely readable history is as fascinating as it is informative. We learn much of Pevsner's work as a broadcaster but at the same time the post-war BBC and British society is revealed in this very detailed account. The fascination of Stephen Games' authoritative account of Pevsner's BBC career is how much we learn about the BBC itself and post-war Britain. This is a thoughtful and perceptive contribution to the field which will be seized on by broadcasting historians.'
Hugh Chignell, Bournemouth University, UK
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