Made in Hong Kong

Studies in Popular Music
 
 
Taylor & Francis Ltd (Verlag)
  • 1. Auflage
  • |
  • erschienen am 23. April 2020
  • |
  • 234 Seiten
 
E-Book | ePUB ohne DRM | Systemvoraussetzungen
978-1-000-05608-2 (ISBN)
 

Made in Hong Kong: Studies in Popular Music serves as a comprehensive and thorough introduction to the history, sociology, and musicology of twentieth- and twenty-first century popular music in Hong Kong. The volume consists of essays by leading scholars in the field, and it covers the major figures, styles, and social contexts of popular music in Hong Kong. Each essay provides adequate context to allow readers to understand why the figure or genre under discussion is of lasting significance. The book is organized into four thematic sections: Cantopop, History and Legacy; Genres, Format, and Identity; Significant Artists; and Contemporary Cantopop.

1. Auflage
  • Englisch
  • London
  • |
  • Großbritannien
  • Für höhere Schule und Studium
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  • 6,23 MB
978-1-000-05608-2 (9781000056082)
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Anthony Fung is Professor in the School of Journalism and Communication, and Co-Director of the Institute of Asia-Pacific Studies at The Chinese University of Hong Kong. He also holds an appointment as Professor in the School of Arts and Communication at Beijing Normal University, China.

Alice Chik is Senior Lecturer in the Department of Educational Studies and a core member of the Faculty of Human Sciences Multilingualism Research Centre at Macquarie University in Sydney, Australia.

Introduction

Mainstreaming Hong Kong Popular Music

ANTHONY FUNG & ALICE CHIK

PART I: CANTOPOP, HISTORY, AND LEGACY

    • Mapping sociopolitical and cultural changes through "The Daughters of Hong Kong:" From Anita Mui to Denise Ho

    VICKY HO & MIRANDA MA

    • Once upon a time in Hong Kong Cantopop: 1984

    YIU-WAI CHU

    • Pax Musica & Mnets: Cantopop-Kpop convergences and inter-Asia cultural mobilities

    KAI KHIUN LIEW & MEICHENG SUN

    • Voices shaped by the people and for the people: Cantopop and political crisis from the colonial to postcolonial era

    STELLA LAU & IVY MAN

    PART II: GENRES, FORMAT, AND IDENTITY

    • The symbolism sound of Cantopop: Relistening to "The Fatal Irony" (1974)

    TING YIU WONG

    • Rethinking Chineseness in the Cantopop of Sam Hui

    BRENDA CHAN

    • Alternative music, language, and "Hong Kong" identity: The use of metaphor in English lyrics of Hong Kong independent music

    LOK MING ERIC CHEUNG

    • Covers and "One Melody, Two Lyrics" Songs

    JOHNSON LEOW

    PART III: SIGNIFICANT ARTISTS

    • Love songs from an island with blurred boundaries: Teresa Teng's anchoring and wandering in Hong Kong

    CHEN-CHING CHENG

    • Remembering Hong Kong as a queer metaphor: Leslie Cheung's queer performativity and posthumous networked fandom

    HONG-CHI SHIAU

    • Hong Kong is (no longer) my home: From Sam Hui to My Little Airport

    MILAN ISMANGIL

    • MC Yan and his Cantonese conscious rap

    ANGEL M. Y. LIN

    PART IV: CONTEMPORARY CANTOPOP

    • Snapshots of multilingualism in Hong Kong popular music

    PHIL BENSON & ALICE CHIK

    • Our Little Twins Stars: Conglomerate-catalyzed cross-media stardom in the new millennium

    KLAVIER J. WANG & STEPHANIE NG

    • Performing the political: Reflections on Tatming meeting George Orwell in 2017

    YIU FAI CHOW, JEROEN de KLOET & LEONIE SCHMIDT

    • The politicization of music through nostalgic mediation: The memory in "Boundless Oceans, Vast Skies"

    JESSICA KONG & ANTHONY FUNG

    CODA

    • The globo-regional and the local in Hong Kong popular music

    C. J. W.-L. WEE

    Afterword

    Cantopop is always hybrid: A conversation with Serina Ha

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