Performing Arts in Transition

Moving between Media
 
 
Routledge (Verlag)
  • erschienen am 7. Dezember 2018
  • |
  • 274 Seiten
 
E-Book | ePUB mit Adobe DRM | Systemvoraussetzungen
978-1-351-33019-0 (ISBN)
 

Artists especially from dance and performance art as well as opera are involved to an increasing degree in the transfer between different media, not only in their productions but also the events, materials, and documents that surround them. At the same time, the focus on that which remains has become central to any discussion of performance. Performing Arts in Transition explores what takes place in the moments of transition from one medium to another, and from the live performance to that which "survives" it. Case studies from a broad range of interdisciplinary scholars address phenomena such as:

    • The dynamics of transfer between the performing and visual arts.

    • The philosophy and terminologies of transitioning between media.

    • Narratives and counternarratives in historical re-creations.

    • The status of chronology and the document in art scholarship.

    This is an essential contribution to a vibrant, multidisciplinary and international field of research emerging at the intersections of performance, visual arts, and media studies.

    • Englisch
    • London
    • |
    • Großbritannien
    Taylor & Francis Ltd
    • Für höhere Schule und Studium
    16 schwarz-weiße Fotos
    978-1-351-33019-0 (9781351330190)

    Susanne Foellmer is Reader in Dance at Coventry University, Centre for Dance Research (C-DaRE), UK.

    Maria Katharina Schmidt, independent researcher, has been a research fellow in the project On Remnants and Vestiges: Strategies of Remaining in the Performing Arts at the Freie Universität Berlin, Germany.

    Cornelia Schmitz, independent researcher, has been a research fellow in the project On Remnants and Vestiges: Strategies of Remaining in the Performing Arts at the Freie Universität Berlin, Germany.

    Susanne Foellmer, Maria Katharina Schmidt, and Cornelia Schmitz Introduction





    1 Susanne Foellmer Dance, Performance, Media, Transfer: Sketching Notions and Problems in the Field





    Part I: Material Temporalities


    2 Andre Lepecki Non-time of lived experience: colour, action, and dance in Helio Oiticica's early works





    3 Joy Kristin Kalu Embodying, Repeating, and Working-Through: The Artistic Practice of Rebecca Davis and Abigail Levine in the Context of their Re-enactments of Marina Abramovic's Performances


    4 Wolfgang Ernst Micro-dramaturgical Temporalities of Media Theatre: On the Difference between Performative and Operative Re-enactment





    Part II: Displacing the Exhibition: Between Display and Performance


    5 Beatrice von Bismarck Trans(pos)ition: In the language of the curatorial





    6 Nicole Haitzinger Performative Contours


    7 Wolf-Dieter Ernst Thumb and Index Mode. Performance, Digital Art, and the ORLAN Network





    Part III: Processes of Genre Transfer


    8 Ulrike Hanstein Videoed Memories and Movements, Rediscovered and Regained: It's Aching Like Birds (2001)


    9 Christopher Morris The Deadness of Live Opera


    10 Sandra Umathum The equally-valid image. Considerations on Ragnar Kjartansson's art of challenging the hierarchy between attending a performance and relying on its photographic remains


    11 Susan Rosenberg Dance and Building in Dialogue: Five Propositions on the Relationship between Trisha Brown's Choreography and Diller + Scofidio's Architecture





    Part IV: Moving HiStories


    12 Gabriele Brandstetter On the Margins of HiStories. Trans-fusions Between Document and Performance


    13 Daniela Hahn "Our method is transmission": The Body as Document in Christina Ciupke's and Anna Till's performance undo, redo and repeat (2014)





    14 Kirsten Maar and Peter Pleyer Visible Undercurrent - New York Berlin 1980/90-2014: Reconsidering Histori/es - Negotiating the Now





    Part V: Blurring the Document


    15 Renate Woehrer Pictures, Texts, Sounds, Zoo Animals...: On the Materiality of Documents





    16 Franz Anton Cramer, Sigrid Gareis, and Alexandra Hennig Capturing Dance: A Report on a Project in Artistic Research





    17 Isa Wortelkamp Unseen: Photography as a Document of Dance History Writing

    Dateiformat: EPUB
    Kopierschutz: Adobe-DRM (Digital Rights Management)

    Systemvoraussetzungen:

    Computer (Windows; MacOS X; Linux): Installieren Sie bereits vor dem Download die kostenlose Software Adobe Digital Editions (siehe E-Book Hilfe).

    Tablet/Smartphone (Android; iOS): Installieren Sie bereits vor dem Download die kostenlose App Adobe Digital Editions (siehe E-Book Hilfe).

    E-Book-Reader: Bookeen, Kobo, Pocketbook, Sony, Tolino u.v.a.m. (nicht Kindle)

    Das Dateiformat EPUB ist sehr gut für Romane und Sachbücher geeignet - also für "fließenden" Text ohne komplexes Layout. Bei E-Readern oder Smartphones passt sich der Zeilen- und Seitenumbruch automatisch den kleinen Displays an. Mit Adobe-DRM wird hier ein "harter" Kopierschutz verwendet. Wenn die notwendigen Voraussetzungen nicht vorliegen, können Sie das E-Book leider nicht öffnen. Daher müssen Sie bereits vor dem Download Ihre Lese-Hardware vorbereiten.

    Bitte beachten Sie bei der Verwendung der Lese-Software Adobe Digital Editions: wir empfehlen Ihnen unbedingt nach Installation der Lese-Software diese mit Ihrer persönlichen Adobe-ID zu autorisieren!

    Weitere Informationen finden Sie in unserer E-Book Hilfe.


    Download (sofort verfügbar)

    45,49 €
    inkl. 19% MwSt.
    Download / Einzel-Lizenz
    E-Book bestellen