Creative License

From Leeds College of Art to Leeds Polytechnic, 1963-1973
 
 
Lutterworth Press
  • 1. Auflage
  • |
  • erschienen am 26. Februar 2015
  • |
  • 322 Seiten
 
E-Book | PDF mit Adobe DRM | Systemvoraussetzungen
978-0-7188-4320-5 (ISBN)
 
"On the road up to the University, the gleaming new purpose-built Leeds Polytechnic awaited the arrival of the students and staff of the art college. All the latest facilities were in place. The only thing missing was any concept of what to expect." 'Creative License' describes what happened next and the continuum leading up to this moment. In this ground-breaking study, James Charnley reveals the personalities and events that ignited an explosion of radical creativity such that a contemporary observer, Patrick Heron, could describe Leeds College of Art as "an unprecedented inventive powerhouse on the national scene". Between 1963 and 1973, Leeds College of Art and Leeds Polytechnic were at the forefront of an experiment in art and education where "all that was forbidden was to be dull". With Jeff Nuttall, Robin Page, George Brecht, Patrick Hughes and John Fox on the staff, students pushed the freedom and facilities offered further than anything before or since.'Creative License' captures the rebellious trajectory of the 1960s, the emergence of the counter-culture, dissent and later disillusionment. This is a case study of an era when art colleges were well funded and well free and, at Leeds, had a mission to progress the avant-garde project to the next level. Perhaps only now can the consequences of this experiment be assessed and its achievements recognised, and James Charnley sets out to do just that.
  • Englisch
  • Cambridge
James Clarke & Co Ltd
  • 15,07 MB
978-0-7188-4320-5 (9780718843205)
0718843207 (0718843207)
weitere Ausgaben werden ermittelt
James Charnley studied Fine Art and Art History and Leeds Metropolitan and Manchester Metropolitan universities. Much of his life has been spent working in film and television, most notably for the BBC and Granada Television. More recently he has concentrated on painting and writing, pursuits enabled by his professional joinery work.
  • Front cover
  • Half title
  • Title page
  • Copyright
  • Dedication
  • Contents
  • List of Illustrations
  • Acknowledgements
  • Foreword
  • Introduction
  • Part 1. Leeds College of Art Rising
  • 1: A State of Flux
  • 2: The Ascent of the 'Avant-Garde'
  • 3: Excavating the Academy
  • Part 2. Pirates of the Polytechnic
  • 4: Into the Hangar
  • 5: More Circus Than Studio
  • 6: Some Students Observed
  • 7: Some Tutors Considered
  • Part 3. The Author, the ICA and After
  • 8: Delinquent Days
  • 9: Playing Away at the ICA
  • 10: The Final Art Show
  • 11: Conclusion
  • Appendix A
  • Appendix B
  • Endnotes
  • Bibliography
  • Back cover
The book is far more than a narrow history of a period in the development of a regional art college. The text illuminates a world that is far removed and unrecognisable from any phase of education today. James Charnley writes in a clear style that avoids jargon and any attempt to over-theorise or confuse the reader with esoteric language.
Ted Kennedy, National Society for Education in Art and Design (e-bulletin), 29th April 2015

"In the 1960s Leeds College of Art was at the forefront of experiments in unconventional art education. A new and comprehensive account of its most impressively anarchic years has been researched and written by someone who was there ... For those curious about the development of post-war art education this is an important source book packed with original material and revealing interviews."
The Jackdaw: Independent Views on the Visual Arts, Issue 122, July/August 2015

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