Dawn of the DAW

The Studio as Musical Instrument
Oxford University Press
  • erschienen am 8. Februar 2018
  • |
  • 304 Seiten
E-Book | PDF mit Adobe DRM | Systemvoraussetzungen
978-0-19-029662-9 (ISBN)
Dawn ot the DAW tells the story of how the dividing line between the traditional roles of musicians and recording studio personnel (producers, recording engineers, mixing engineers, technicians, etc.) has eroded throughout the latter half of the twentieth century to the present. Whereas those equally adept in music and technology such as Raymond Scott and Les Paul were exceptions to their eras, the millennial music maker is ensconced in a world in which the symbiosis of music and technology is commonplace. As audio production skills such as recording, editing, and mixing are increasingly co-opted by musicians teaching themselves in their do-it-yourself (DIY) recording studios, conventions of how music production is taught and practiced are remixed to reflect this reality. Dawn of the DAW first examines DIY recording practices within the context of recording history from the late nineteenth century to the present. Second, Dawn of the DAW discusses the concept of "the studio as musical instrument" and the role of the producer, detailing how these constructs have evolved throughout the history of recorded music in tandem. Third, Dawn of the DAW details current practices of DIY recording--how recording technologies are incorporated into music making, and how they are learned by DIY studio users in the musically--chic borough of Brooklyn. Finally, Dawn of the DAW examines the broader trends heard throughout, summarizing the different models of learning and approaches to music making. Dawn of the DAW concludes by discussing the ramifications of these new directions for the field of music education.
  • Englisch
  • Oxford
  • |
  • USA
29 illustrations
  • 18,55 MB
978-0-19-029662-9 (9780190296629)
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Adam Patrick Bell is an Assistant Professor of Music Education in the School of Creative and Performing Arts at the University of Calgary, Canada. He has written several peer-reviewed articles and chapters on the topics of music technology in music education, and disability in music education. Prior to his career in higher education, Bell worked as a kindergarten teacher, elementary music teacher, and support worker for adolescents with disabilities. Bell has also worked as a freelance producer, creating commercial music for clients including Coca-Cola.
Preface Part I Chapter 1 - A History of DIY Recording: Striving for Self-Sufficiency Chapter 2 - The Studio: Instrument of the Producer Part II Preface to Part II - Made In Brooklyn Chapter 3 - Track 1: Michael Chapter 4 - Track 2: Tara Chapter 5 - Track 3: Tyler Chapter 6 - Track 4: Jimmy Part III Preface to Part III - Learning Producing | Producing Learning Chapter 7 - Mixing the Multitrack: Cross Case Analyses Chapter 8 - Mastering the Multitrack: Conclusions Bibliography Index

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