A Dictionary of Theatre Anthropology

The Secret Art of the Performer
 
 
Routledge (Verlag)
  • 2. Auflage
  • |
  • erschienen am 18. März 2011
  • |
  • 320 Seiten
 
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978-1-135-17635-8 (ISBN)
 
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
2. Auflage
  • Englisch
  • London
  • |
  • Großbritannien
Taylor & Francis Ltd
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  • 27,83 MB
978-1-135-17635-8 (9781135176358)
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EUGENIO BARBA (1936) Italian born, emigrated to Norway in 1954 where he worked as a welder and seaman. From 1961 to 1964, he followed Jerzy Grotowski's work in Poland, publishing the first book about him, In Search of a Lost Theatre (1965). In 1963, after spending 6 months in India, he published an essay on kathakali, a theatre form previously unknown in the West. In 1964 he founded Odin Teatret in Oslo, transferring it in 1966 to Holstebro (Denmark) as the Nordisk Teaterlaboratorium. He has directed 32 productions which have been regularly presented in Europe, Asia, North and South America. In 1979 he founded ISTA, the International School of Theatre Anthropology, an itinerant institution with actors, dancers, musicians and scholars interested in investigating the principles of scenic presence. He has written many books and articles, amongst which The Paper Canoe. A Guide to Theatre Anthropology (Routledge 1994), Theatre: Solitude, Craft, Revolt (Black Mountain Press 1999) and Land of Ashes and Diamonds. My Apprenticeship in Poland (Black Mountain Press 1999). He has received numerous international awards and honorary doctorates.

Nicola Savarese was born in Rome. Professor at the University Romatre (Rome), he teaches History of Theatre and Performance at Department of Performing Arts. His studies deal with the complex dynamic of the meetings between Asian theatres and Occidental theatre and the contemporary performers in different contex. He as travelled widely in Asia and particularly in Japan, where he lived for two years. On the relationship between Oriental and Occidental theatres he has published, among many other works, Teatro e spettacolo fra Oriente e Occidente (Theatre and Performance Beyond the Sea, Roma 1992, translated in Spanish), Parigi/Artaud/Bali (L'Aquila 1997), Training (Roma 2004). He is permanent member of ISTA (International School of Theatre Anthropology) since its foundation and he is editor of review Teatro e storia. He was guest scholar at Getty Research Institute in Los Angeles in 1999.

PREFACE

INTRODUCTION

A-Z:

Anatomy

Apprenticeship

Balance

Dilation

Dramaturgy

Energy

Equivalence

Eurasian Theatre (NEW CHAPTER)

Exercises (NEW CHAPTER)

Face and Eyes

Feet

Hands

Historiography

Montage

Nostalgia

Omission

Opposition

Organicity (NEW CHAPTER)

Pre-Expressivity

Restoration of Behaviour

Rhythm

Set and Costume Design

Technique

Text and Stage

Training

Views

BIBLIOGRAPHY

ACKNOWLEDGEMENTS

AUTHOR BIOGRAPHIES

INDEX
'The entries in the Dictionary are fascinating flashbulbs, shedding light on myriad ways of performing - breathing in noh, eye movement in kathakali, balance in Indian bharatanatyam ... For actors grounded in 20th-Century American realism, this plethora of body-based ... information could prove (literally) eye-opening. Particularly persuasive is Schechner's essay on "restoration of behavior".' - American Theatre

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