The Secret Origins of Comics Studies

 
 
Routledge (Verlag)
  • 1. Auflage
  • |
  • erschienen am 16. Dezember 2019
 
  • Buch
  • |
  • Softcover
  • |
  • 302 Seiten
978-0-367-87232-8 (ISBN)
 
In The Secret Origins of Comics Studies, today's leading comics scholars turn back a page to reveal the founding figures dedicated to understanding comics art. Edited by comics scholars Matthew J. Smith and Randy Duncan, this collection provides an in-depth study of the individuals and institutions that have created and shaped the field of Comics Studies over the past 75 years. From Coulton Waugh to Wolfgang Fuchs, these influential historians, educators, and theorists produced the foundational work and built the institutions that inspired the recent surge in scholarly work in this dynamic, interdisciplinary field. Sometimes scorned, often underappreciated, these visionaries established a path followed by subsequent generations of scholars in literary studies, communication, art history, the social sciences, and more. Giving not only credit where credit is due, this volume both offers an authoritative account of the history of Comics Studies and also helps move the field forward by being a valuable resource for creating graduate student reading lists and the first stop for anyone writing a comics-related literature review.
  • Englisch
  • London
  • |
  • Großbritannien
Taylor & Francis Ltd
  • Für höhere Schule und Studium
  • Höhe: 246 mm
  • |
  • Breite: 174 mm
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  • Dicke: 25 mm
  • 586 gr
978-0-367-87232-8 (9780367872328)
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Matthew J. Smith is Professor and Director in the School of Communication at Radford University in Virginia. Along with Randy Duncan, he is co-editor of Routledge's Advances in Comics Studies series. Previously, the two writing partners teamed with former DC Comics President and Publisher Paul Levitz to produce The Power of Comics: History, Form, and Culture (2nd Edition). Randy Duncan is Professor of Communication and Director of the Comics Studies Minor at Henderson State University. He is co-editor, with Matthew J. Smith, of the Eisner-nominated Critical Approaches to Comics: Theories and Methods. He is a co-founder, with Peter M. Coogan, of the Comics Arts Conference and received the Inkpot Award for contributions to Comics Studies.
Foreword by Charles HatfieldPreface by Matthew J. Smith and Randy DuncanChapter 1- Educating with Comics by Carol L. TilleyChapter 2 - Educating about Comics by Robert G. WeinerChapter 3 - The Historians of Creators by Brad RiccaChapter 4 - The Historians of the Comics Industry by Julie Davisand Robert WesterfelhausChapter 5 - The Historians of the Art Form by Ian HortonChapter 6 - The Librarians and Archivists by Jenny RobbChapter 7 - Literary Theory/Narrative Theory by Barbara PostemaChapter 8 - Semiotics and Linguistics by Gert MeestersChapter 9 - Myths, Archetype, and Religion by Beth Davies-Stofka and David McConehyChapter 10 - Ideological/Sociological by Ian GordonChapter 11 - Formalist Theory: The Cartoonists by Henry JenkinsChapter 12 - Formalist Theory: Academics by Ann MillerChapter 13 - Psychology/Psychiarty by Travis LangleyChapter 14 - Gender Studies and Queer Studies by Kane AndersonChapter 15 - Manga Studies, A History by Nicholas A. TheisenChapter 16 - The Organizations by Jeremy LaranceChapter 17 - The Galleries by Kim MunsonChapter 18 - The Conferences by Julia Round and Chris MurrayChapter 19 - The Journals by Alec R. HostermanChapter20 - The Presses by Joseph Michael SommersFeaturing additional sidebars from José Alaniz, Jacqueline Berndt, Christina Blanch, Ian Hague, A. David Lewis, and William Proctor along with 'Pioneer Perspectives' from trailblazing scholars James "Bucky" Carter, Peter M. Coogan, Maurice Horn, M. Thomas Inge, David Kunzle, Pascal Lefèvre, John Lent, and Waldomiro Vergueiro.
"This landmark book makes a compelling and coherent narrative out of the complex and multi-threaded history - and pre-history - of comics studies. Its existence and publication is a powerful testament to just how far comics studies have now progressed." -Richard Reynolds, University of the Arts, London



"The emergence of comics studies as a full-blown academic discipline constitutes one of the most exciting and important developments in the contemporary humanities. This valuable book explores the circumstances that made our present moment possible while paying a generous and necessary tribute to many early pioneers of the field." -Ben Saunders, University of Oregon

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