Dance and the Corporeal Uncanny

Philosophy in Motion
 
 
Routledge (Verlag)
  • erscheint ca. am 27. Juli 2020
 
  • Buch
  • |
  • Hardcover
  • |
  • 272 Seiten
978-0-367-50842-5 (ISBN)
 
'Dance and the Corporeal Uncanny' takes the philosophy of the body into the field of dance, through the lens of subjectivity and via its critique.


It draws on dance and performance as its dedicated field of practice to articulate a philosophy of agency and movement. It is organized around two conceptual paradigms, one phenomenological (via Merleau-Ponty), the other, an interpretation of Nietzschean philosophy, mediated through the work of Deleuze.


The book draws on dance studies, cultural critique, ethnography and postcolonial theory, seeking an interdisciplinary audience in philosophy, dance and cultural studies.
  • Englisch
  • London
  • |
  • Großbritannien
Taylor & Francis Ltd
  • Für höhere Schule und Studium
18 Halftones, black and white
  • Höhe: 235 mm
  • |
  • Breite: 159 mm
978-0-367-50842-5 (9780367508425)

Philipa Rothfield is an academic, dancer and dance reviewer. She is an honorary staff member in Philosophy and Politics at La Trobe University, Australia, and honorary Professor in Dance and Philosophy of the Body, University of Southern Denmark. She is Creative Advisor at Dancehouse, Melbourne. She is co-author of Practising with Deleuze, Design, Dance, Art, Writing, Philosophy (Edinburgh University Press, 2017).
Contents





Frontispiece


Acknowledgments


List of Images


Introduction: Hanging Out in the Body





PART ONE


Chapter 1: Merleau-Ponty and the Lived Body


Chapter 2: Movement Subjectivity and the Phenomenology of Dance


Chapter 3: Kinaesthetic Sensibility and the Politics of Difference


Chapter 4: Keeping it Korean, The Pluralization of Space and Time in Korean Dance





PART TWO


Chapter 5: Nietzsche and the Ontology of Force


Chapter 6: Subjectivity Three Ways, in Nietzsche and Deleuze


Chapter 7: Staging Sovereignty





Conclusion: Between the Dancer and the Dance

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