D.H. Lawrence and Genetic Criticism

Writing Processes from 1909 to 1926
 
 
Bloomsbury Academic (Verlag)
  • erscheint ca. am 15. Oktober 2020
 
  • Buch
  • |
  • Hardcover
  • |
  • 256 Seiten
978-1-350-13968-8 (ISBN)
 
Exploring draft manuscripts, alternative texts and publishers' typescripts, D.H. Lawrence and Genetic Criticism reveals new insights into the writing practices of one of the most important writers of the 20th-century. Focusing on the most productive years of Lawrence's writing life between 1909 and 1926 - a time that saw the writing of major novels such as Women in Love and the controversial The Plumed Serpent as well as his first major short story collection - this book is the first to apply analytical methods from the field of genetic criticism to the archives of this canonical modernist author. By charting Lawrence's writing process the book also highlights how the very distinction between 'process' and 'product' became a central theme in his work.
  • Englisch
  • London
  • |
  • Großbritannien
Bloomsbury Publishing PLC
  • Für Beruf und Forschung
  • Höhe: 234 mm
  • |
  • Breite: 156 mm
978-1-350-13968-8 (9781350139688)

weitere Ausgaben werden ermittelt
Elliott Morsia is an Independent Scholar and former Visiting Lecturer at Royal Holloway, University of London, UK.
Acknowledgements
Series Editor Preface

Introduction
Part 1: Frameworks
1.Genetic Criticism and Existing Traditions of Literary Study
2. Genetic Criticism and Lawrence Studies
3. Odour of Chrysanthemums (1909-14): Absent-Presence and the Problem of Endings
Part 2: Women in Love (1913-21)
4. The Compositional History: A Reassessment
5. The Early Fragments: Multiple Drafts
6. The Notebook Drafts: Genetic Dialogism
7. The Typescript Drafts: Genetic Dialogism Continues
Part 3; The Plumed Serpent (1923-26)
8. Controversy, Composition and Revision
9. Writing An Ending
Conclusion

Bibliography
Index

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