Claudio Monteverdi

A Research and Information Guide
 
 
Routledge (Verlag)
  • 1. Auflage
  • |
  • erschienen am 10. Dezember 2019
 
  • Buch
  • |
  • Softcover
  • |
  • XXX, 242 Seiten
978-0-367-86727-0 (ISBN)
 
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi's music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
  • Englisch
  • London
  • |
  • Großbritannien
Taylor & Francis Ltd
  • Für höhere Schule und Studium
  • Höhe: 229 mm
  • |
  • Breite: 152 mm
  • 408 gr
978-0-367-86727-0 (9780367867270)
weitere Ausgaben werden ermittelt
Susan Lewis is Professor and Dean of the Faculty of Fine Arts at the University of Victoria in British Columbia, Canada. Her other publications include Editing Music in Early Modern Germany (Ashgate, 2007; Routledge, 2017), The Madrigal: A Research and Information Guide (Routledge, 2012), Music in the Baroque World: History, Culture, and Performance (Routledge, 2016), and numerous articles and reviews.Maria Virginia Acuña holds a PhD in musicology from the University of Toronto and has taught courses at Kwantlen Polytechnic University and Simon Fraser University. Her research has been funded and recognized by the Joseph-Armand Bombardier Canada Graduate Scholarship from the Social Sciences and Research Council of Canada, the Eugene K. Wolf Grant awarded by the American Musicological Society, and the SOCAN Foundation/George Proctor Prize.
Preface AcknowledgementsIntroduction: Monteverdi in His World and OursAbbreviationsMonteverdi: A Chronology 1. ReferenceGeneral ReferenceMonteverdi Reference Catalogs of Monteverdi's Music Monteverdi's Letters, Documents, and Writings 2. Collections of Essays and Conference Proceedings 3. Studies of Monteverdi's Life and WorksSpecialized StudiesStudies of Documents and SourcesIconography4. Claudio's Brother: Giulio Cesare Monteverdi5. Theory and Aesthetics Theoretical ContextsAesthetics and Debates on the seconda pratica6. Canzonetta and Madrigal BooksSecular Song around 1600Monteverdi as MadrigalistMonteverdi in Relation to His ContemporariesMonteverdi's Poetic Choices Madrigali, Libri I-III Madrigali, Libro IV-V Scherzi musicali (1607)Madrigali, Libro VI Madrigali, Libro VII Scherzi musicali (1632)Madrigali guerrieri et amorosi, Libro VIII Madrigali, Libro IX Spiritual Madrigals and Contrafacta7. Dramatic WorksGeneral Studies of Early OperaVenetian Opera and Opera in VeniceStudies of Monteverdi's Dramatic Works L'Orfeo (1607)Arianna (1608) and the Lament TraditionIl ritorno d'Ulisse in patria (1639-40)Le nozze d'Enea (1640-1)<I

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