Taking the reader from script to final product, Peter Rea and David Irving clearly illustrate all of the steps involved in pre-production, production, post production and distribution. Their unique two-fold approach looks at filmmaking from the
perspectives of both producer and director and explains how their separate energies must combine in order to create a successful short film.
There are extensive examples from two award-winning short narrative films (Lunch Date and Truman) and one short documentary (Mirror Mirror) and fascinating, insightful quotes from the filmmakers themselves describing the problems they encountered and how they solved them. Rounding out the book are stills and scripts from the three films, samples of various production forms, and appendices with information on festivals, grants, insurance and film schools.
Rezensionen / Stimmen
'..I would recommend Producing and Directing the Short Film and Video to
anyone who would like a better understanding of the elements of
film-making.'
Despatches, May 1996
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Professional filmmakers and students<BR id="CRLF">
ISBN-13
978-0-240-80188-9 (9780240801889)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
David K. Irving is an associate professor of the Undergraduate Film and Television Department at New York University, Tisch School of the Arts. He has directed six feature films, fifteen award-winning short documentaries, three short narrative films, and has written and produced three feature films.
Autor*in
Associate Professor in the Film and Television Department at New York University, Tisch School of the Arts
Associate Professor of the Undergraduate Film and Television Department at New York University, Tisch School of the Arts
Introduction; Timeline; Financing; PART 1: PRE-PRODUCTION: Script; Breakdowns; Schedule; Budget; Crewing; Locations; Art prep; Casting; Rehearsals; PART II: PRODUCTION: Set procedure; Camera; Sound; Art; Cast PART III: POST-PRODUCTION: Picture;
Sound; Laboratory; Distribution; Appendices.
