The "magic hour" is the name film-makers give the pre-dusk late afternoon, when anything photographed can be bathed in a golden light. This tile anthologizes the author's movie reviews, cultural criticism, and political essays, published in magazines during the period bracketed by the fall of the Berlin Wall and the collapse of the Trade Towers.
J. HOBERMAN is Film Critic at The Village Voice.
Introduction: All as It Had Been Part I: Pulp Fictions The Lang Twentieth Century White Dog Basic Instinct Blade Runner Kiss Me Deadly Natural Born Killers Pulp Fiction Meet "Beat" Takeshi Ashes of Time Mars Attacks! Starship Troopers San Sergio Leone Part II: Adventures in Dreamland The Long Day Closes Exotica Die Hard with a Vengeance I Shot Andy Warhol Aventurera Vertigo The Truman Show There's Something about Mary (and Mary) How Star Wars Supplanted Religion, Mutated the Species, and Changed the Movies Run Shag Run Eyes Wide Shut In the Mood for Love The Man Who Cried A.I.: The Dreamlife of Androids Part III: Once and Future Vanguards Naked Lunch and Tribulation Poison Avant Retro Archangel Sergei Paradjanov Lessons of Darkness Mystery Science Theatre 3000: The Movie Dead Man Fragments * Jerusalem Mother and Son Pecker The Idiots The Wind Will Carry Us Making New Memories Mulholland Drive Part IV: The History of Film, the Film of History How the Western Was Lost Schindler's List Race Movies Jaws Quiz Show Nixon Get on the Bus Underground Point of Order Apocalypse Now and Then Back to Iraq Part V: Our Rock 'n' Roll President Clinton vs. Bush: A Lover or a Fighter? The Clinton Show Born Again Again The Remaking of the President Bob Dole, American Hero Independence Day 1996 Boom's End Entertainer-in-Chief Pleasantville: Somewhere Under the Rainbow Cine Clinton: the Contender et al. The Film Critic of Tomorrow, Today Appendix: Ten "10 Best" Lists, 1991-2000 Index
"This book is the film-security x-ray device we really need: it sees through everything. Witty, caustic, passionate and wise, Hoberman treats movies as the bizarre cross-cultural phenomenon they have become in a book of critical essays that somehow manages to be a suspenseful page-turner. Film criticism at this level is deliciously close to philosophy." --David Cronenberg "J. Hoberman is one of the best film critics working regularly in America today. His reviews and essays have many striking qualities that help account for its cogency, insight, and authority. He is exceptionally knowledgeable about film history and very deft at bringing it to bear on the films under discussion. His writing is terse, aphoristic, and unpredictable--pure gold. Whether we agree with him or not, he is a pleasure to read." --Morris Dickstein, CUNY Graduate Center, and author of Gates of Eden, and Leopards in the Temple "Archivist, excavator and wicked wit, J. Hoberman holds a lead place at the forefront of contemporary American film criticism. In The Magic Hour: Film at Fin de Siecle, he effortlessly transcends the banality of so much of our contemporary film culture and identifies essential truths about how we watch and why. Even when the movies are lousy Hoberman is inimitable." --Manohla Dargis, movie critic, Los Angeles Times "Hoberman's collection assesses the cinematic output of the 1990s, a period he characterizes as being bracketed by the fall of the Berlin Wall and the collapse of the World Trade Center towers. That sociopolitical approach is telling, because Hoberman casts his critical gaze beyond the world of film; besides weekly movie reviews, he publishes on politics and culture in the Village Voice, where most of these essays first appeared. The mostly brief reviews of individual films gain substance from being thematically grouped, especially those in a section juxtaposing movies on politics, such as The American President and The Contender, and the presidencies of the first Bush and Clinton: here Hoberman's political and cinematic agendas coalesce perfectly. Elsewhere, there are straightforward write-ups of films ranging from Spielberg's '90s product to masterworks from Iran, Russia, and Hong Kong; ultimately, these pieces prove to be the most satisfying. For while Hoberman's political commentary is lively and provocative, as such it is not so rare a commodity as his rigorous and thoughtfully insightful film criticism." --Gordon Flagg, Booklist "Although it mostly covers films and personalities from the era between the fall of the Berlin Wall and the destruction of the Twin Towers, this collection of previously published essays and articles references numerous earlier motion pictures as well. The always readable Hoberman, film critic of the Village Voice, wittily discusses--and often skewers--a range of better- and lesser-known films, from Vertigo and Kiss Me Deadly to Schindler's List and Mulholland Drive. Of equal interest are his thoughts on the 1990s political scene, especially Bob Dole, George Bush Sr., and Bill Clinton, whom he dubs the "Show Biz President." He also writes insightfully on the cultural history of the final years of the 20th century, the future of the cinema, and the ongoing role of the film critic. Completing this interesting melange are Hoberman's often quirky choices for the ten best films of each year between 1991 and 2000. Recommended for larger libraries and cinema collections." --Library Journal
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