Painting Harlem Modern

The Art of Jacob Lawrence
 
 
University of California Press
  • 1. Auflage
  • |
  • erschienen am 8. März 2019
 
  • Buch
  • |
  • Softcover
  • |
  • 368 Seiten
978-0-520-30550-2 (ISBN)
 
Jacob Lawrence was one of the best-known African American artists of the twentieth century. In Painting Harlem Modern, Patricia Hills renders a vivid assessment of Lawrence's long and productive career. She argues that his complex, cubist-based paintings developed out of a vital connection with a modern Harlem that was filled with artists, writers, musicians, and social activists. She also uniquely positions Lawrence alongside such important African American writers as Langston Hughes, Richard Wright, and Ralph Ellison. Drawing from a wide range of archival materials and interviews with artists, Hills interprets Lawrence's art as distilled from a life of struggle and perseverance. She brings insightful analysis to his work, beginning with the 1930s street scenes that provided Harlem with its pictorial image, and follows each decade of Lawrence's work, with accounts that include his impressions of Southern Jim Crow segregation and a groundbreaking discussion of Lawrence's symbolic use of masks and masking during the 1950s Cold War era. Painting Harlem Modern is an absorbing book that highlights Lawrence's heroic efforts to meet his many challenges while remaining true to his humanist values and artistic vision.
First Edition
  • Englisch
  • Berkerley
  • |
  • USA
  • Broschur/Paperback
112 color illustrations and 205 black-and-white photographs
  • Höhe: 202 mm
  • |
  • Breite: 253 mm
  • |
  • Dicke: 23 mm
  • 1146 gr
978-0-520-30550-2 (9780520305502)
weitere Ausgaben werden ermittelt
Patricia Hills is Professor Emerita of Art History at Boston University and is the author of Modern Art in the USA: Issues and Controversies of the Twentieth Century and contributed to Over the Line: The Art and Life of Jacob Lawrence.
Preface
Introduction

PART ONE The Artist's Place in Harlem

1 Harlem's Artistic Community in the 1930s
2 Patrons and the Making of a Professional Artist

PART TWO Themes and Issues

3 African American Storytelling:

Toussaint L'Ouverture and Harriet Tubman
4 The Great Migration in Memory, Pictures,
and Text
5 Confrontations with the Jim Crow South
in the 1940s
6 Home in Harlem: Tenements and Streets
7 The Double Consciousness of Masks
and Masking
8 The Paintings of the Protest Years, 1955-70

Epilogue
Acknowledgments
Appendix: Jacob Armstead Lawrence
and His Family
Notes
Selected Bibliography
List of Illustrations
Index
"Hills offers a beautifully illustrated, critical assessment . . . By paying close attention to Lawrence's sophisticated imagery and situating his work within its rich cultural and political contexts, Hills provides a much-needed analytical discussion of his oeuvre and a thoughtful account of race in 20th-century American art and life. . . . Highly recommended." * Choice * "Hills knows a great deal about her subjects - Lawrence and the Harlem in which he lived and worked for much of his life - and this will be an essential book for those who study these subjects." * Art New England * "The book is the most thorough analysis available of Lawrence's work and a valuable contribution to American art history as well as African-American studies." * The Artblog * "Based on exhaustive research and interviews, this thoughtful and comprehensive biography makes a good case for recognizing Jacob Lawrence as among the finest American artists of the 20th century. . . . [Hills'] empathetic analyses will make this the definitive biography of Lawrence for a very long time." * Artnews *

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