Stone Blind

Witty, gripping, ruthless -- Margaret Atwood via Twitter Beautiful and moving -- Neil Gaiman via Twitter The rollicking narrative voice that energises Stone Blind . . . is a voice that feels at once bitingly (post)modern and filled with old wisdom . . . The Gorgon's head will take on a new and powerful resonance as a symbol of the way stories can be warped by time. Stone Blind acts as a brilliant and compellingly readable corrective. * Observer * Stone Blind is an exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel. Haynes brilliantly pulls off the feat of seamlessly alternating humour and heartbreak, creating characters that stay with you long after the novel's end. It is a dazzling achievement -- Elodie Harper, author of <i>The Wolf Den </i>trilogy With this, her third novel based on ancient myth, [Haynes] has found a way of using all her classical erudition and her vivid sense of the ambiguous potency of the ancient stories, while being simultaneously very, very funny * Guardian * A fierce feminist exploration of female rage, written with wit and empathy. Haynes makes the classics brutally relevant, and we reckon this one is going to be huge * Glamour * It is no exaggeration to say that Haynes is the modern embodiment of the best of Homer. She is a proper, classic storyteller, whose linguistic skills and wit will have you hanging on every word * Radio Times * Stone Blind is inventive and playful . . . [and] very funny -- Antonia Senior * The Times * Pat Barker, Margaret Atwood and Madeline Miller have all successfully picked at the seams of the traditionally male take on these fantastic tales. But Natalie Haynes's genius, this time with Stone Blind, her third Greek myth novel, is to not just focus on the female experience of Greek myth but also to add zest, humour and more than a little mischief . . . The ride is gripping, funny and heartbreaking. Love, sorrow, adventure and humour - Stone Blind has it all * Metro * What makes a monster is the central question in Natalie Haynes' wry, spry feminist take on the Medusa myth . . . an earthy, playful yet rage-filled upending of the Greek hero trope * Mail Online * Natalie Haynes has made a contemporary classic out of a classic . . . and it should win prizes -- Monique Roffey, author of<i> The Mermaid of Black Conch</i> With wit, humanity and extraordinary imagination, Haynes breathes life and meaning into myths as she has done so brilliantly before (most famously with A Thousand Ships). She also shows that monsters can be divine or mortal. Not all heroes wear capes - and not all villains have snakes * The i * Haynes' clever, empathetic writing transforms Medusa from Gorgon into a girl, who's a victim of the cruel machinations of the gods and of circumstance -- Sarra Manning * Red Magazine * There's real tenderness in Haynes's portrait of Medusa, a mortal abomination born into a family of divinities, and the efforts of her immortal Gorgon sisters to protect her from herself -- Daisy Dunn * The Spectator *
 
Witty, gripping, ruthless -- Margaret Atwood via Twitter
Beautiful and moving -- Neil Gaiman via Twitter
The rollicking narrative voice that energises <i>Stone Blind . . . </i>is a voice that feels at once bitingly (post)modern and filled with old wisdom . . . The Gorgon's head will take on a new and powerful resonance as a symbol of the way stories can be warped by time. <b><i>Stone Blind </i>acts as a brilliant and compellingly readable corrective.</b> * Observer *
<i>Stone Blind</i> is an exceptionally powerful retelling of Medusa's story, an emotional gut punch of a novel. Haynes brilliantly pulls off the feat of seamlessly alternating humour and heartbreak, creating characters that stay with you long after the novel's end. It is a dazzling achievement -- Elodie Harper, author of <i>The Wolf Den </i>trilogy
With this, her third novel based on ancient myth, [Haynes] has found a way of using all her classical erudition and her vivid sense of the ambiguous potency of the ancient stories, while being simultaneously very, very funny * Guardian *
A fierce feminist exploration of female rage, written with wit and empathy. Haynes makes the classics brutally relevant, and we reckon this one is going to be huge * Glamour *
It is no exaggeration to say that Haynes is the modern embodiment of the best of Homer. She is a proper, classic storyteller, whose linguistic skills and wit will have you hanging on every word * Radio Times *
<i>Stone Blind</i> is inventive and playful . . . [and] very funny -- Antonia Senior * The Times *
Pat Barker, Margaret Atwood and Madeline Miller have all successfully picked at the seams of the traditionally male take on these fantastic tales. But Natalie Haynes's genius, this time with <i>Stone Blind</i>, her third Greek myth novel, is to not just focus on the female experience of Greek myth but also to add zest, humour and more than a little mischief . . . The ride is <b>gripping, funny and heartbreaking. Love, sorrow, adventure and humour - <i>Stone Blind </i>has it all</b> * Metro *
What makes a monster is the central question in Natalie Haynes' wry, spry feminist take on the Medusa myth . . . an earthy, playful yet rage-filled upending of the Greek hero trope * Mail Online *
Natalie Haynes has made a contemporary classic out of a classic . . . and it should win prizes -- Monique Roffey, author of<i> The Mermaid of Black Conch</i>
<b>With wit, humanity and extraordinary imagination, Haynes breathes life and meaning into myths</b> as she has done so brilliantly before (most famously with <i>A Thousand Ships</i>). She also shows that monsters can be divine or mortal. Not all heroes wear capes - and not all villains have snakes * The i *
Haynes' clever, empathetic writing transforms Medusa from Gorgon into a girl, who's a victim of the cruel machinations of the gods and of circumstance -- Sarra Manning * Red Magazine *
There's real tenderness in Haynes's portrait of Medusa, a mortal abomination born into a family of divinities, and the efforts of her immortal Gorgon sisters to protect her from herself -- Daisy Dunn * The Spectator *