Adorno's Modernism

Art, Experience, and Catastrophe
 
 
Cambridge University Press
  • erschienen am 1. März 2018
 
  • Buch
  • |
  • Softcover
  • |
  • 240 Seiten
978-1-107-55174-9 (ISBN)
 
Situating Adorno's aesthetics in the context of post-Kantian European philosophy, this book explores his contribution to an understanding of modernism in the arts. Espen Hammer also discusses the philosophical significance of aesthetic modernism. The volume is of particular interest to scholars and students of social philosophy, art, and aesthetics.
  • Englisch
  • New York
  • |
  • USA
  • Für Beruf und Forschung
  • Broschur/Paperback
  • Höhe: 155 mm
  • |
  • Breite: 229 mm
  • |
  • Dicke: 17 mm
  • 384 gr
978-1-107-55174-9 (9781107551749)
1107551749 (1107551749)
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Espen Hammer is Professor of Philosophy at Temple University, Philadelphia. He has published many essays and books, including Stanley Cavell: Skepticism, Subjectivity, and the Ordinary (2002), Adorno and the Political (2006), Philosophy and Temporality from Kant to Critical Theory (Cambridge, 2011) and The Routledge Handbook of the Frankfurt School (co-edited with Axel Honneth and Peter Gordon, forthcoming), and is the editor of German Idealism: Contemporary Perspectives (2007).
Preface; Introduction; 1. Art and the problem of modernity; 2. The beautiful and the sublime: an aesthetics of nature; 3. The dialectic of aesthetic autonomy; 4. Language, truth, and semblance; 5. A topography of nothingness: Adorno on Beckett; 6. Experience and metaphysics: the legacy of Kant; 7. An aesthetics of negativity; Concluding remarks; Bibliography; Index.

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