From the author of the prize-winning "An Account Of The Decline Of The Great Auk, According To One Who Saw It", comes her first novel that looks at how we see others and how we imagine ourselves.
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Jessie Greengrass was born in 1982. She studied philosophy in Cambridge and London. An Account of the Decline of the Great Auk, According to One Who Saw It won the Edge Hill Short Story Prize and a Somerset Maugham Award, and was shortlisted for the PFD/Sunday Times Young Writer of the Year. Sight is her first novel and was shortlistd for the Women's Prize for Fiction.
Sight - with its cascading sentences and startling insights - is hard to put down * Atlantic * [Greengrass's] intelligence and honesty continue to dazzle, and the novel as a whole exudes a strange consoling power . . . it is precisely her obsessive ruminations, and how they find expression in controlled, stylish prose, that make the book so exciting * New Yorker * A stunning novel about what we can know of our bodies, ourselves, and each other * Lauren Elkin * If you're only going to read one book this summer make it Jessie Greengrass's Sight . . . easily my book of the year so far. The balance of Greengrass's sentences combined with the unexpected and perfectly chosen words is reminiscent of the great W. G. Sebald * Boundless * A moving and contemplative account of a woman's life as she grieves for a mother lost at the cusp of adulthood, and her journey towards becoming a wife and mother herself * Optima * Greengrass is a perceptive and deep observer of human nature, one who finds incredibly beautiful and realistic ways to express the everyday life in words. The novel is a goldmine of quote-worthy passages, the sort of deep pondering you find as asides in George Eliot * Helsinki Book Review * There are echoes of WG Sebald and Rachel Cusk in this thoughtful, digressive style that swirls together the historical and the personal, but Greengrass's questing intellect and elegant prose are all her own * Guardian, 50 Books to Read Now * An exceptional debut novel . . . The prose is unsentimental, measured, breathtaking in its elegance, but never precious or mannered. Paragraphs over several pages, page-long sentences, move with extraordinary cadence towards devastatingly bathetic or utterly heartbreaking conclusions . . . And the book is also about, in part, the necessity of that separation; the ongoing and ever-unfinished coming into being of a person. It brings all these things together, loosely and delicately, in a way that is unexpectedly and remarkably moving * The Spectator * As a meditation on parenthood, grief and the awareness that knowledge can be both wondrous and terrifying, Sight is an exceptionally accomplished debut * Observer * The author of an award-winning short story collection, An Account of the Decline of the Great Auk, According to One Who Saw It, Greengrass adapts to the novel format with enviable flexibility . . . Greengrass writes stunningly about the experience of pregnancy and motherhood * Guardian * I honestly can't remember the last time I read a novel so near to perfection, so full of grace. With every page I was in awe of the author's sense of pace, her attention to nuance, the acuity of feeling and clarity of reflection * Sara Baume * A very intriguing, challenging novel . . . very moving * Toby Lichtig * Greengrass reminds me of Virginia Woolf - in her intelligence and scope of interest, and in her evocative ability to capture a single consciousness, all while seemingly re-inventing the novel form. Sight is a beautiful debut, and Greengrass is an important new voice in fiction * Jamie Quatro, author of Fire Sermon * This book blew me away. It is beautiful and devastating and perfectly formed * Daisy Johnson * One of the finest English novels I've read... It is exquisitely well-assembled and every page has a line of pure underline-for-later brilliance * Max Porter * A philosophical quest investigating what lies beneath our skins, exploring the transformative impact, physically and intellectually, of pregnancy * Patricia Nichol * Written in gorgeous, crystalline prose, Sight is a moving exploration of perception and wonder * Dazed * Beautiful to read . . . wise and insightful . . . completely compelling * Monocle * Fascinating . . . Greengrass is a master of subtlety . . . [it is] wonderful in terms of its execution, a very self-contained and meticulously planned tale that is very effective and moving * Wormhole * A terrific writer . . . it's hard not to be blown away by the sheer brilliance of the work and her ability as a wordsmith * Storgy * An insightful novel that explores relatable issues and fascinating themes, but also stands out as a work of art * The Lady * This singularly introspective book is a stimulating read . . . a spectacularly written novel * Book Riot * Cerebral and tender, Greengrass' voice is smart and original * Elle * Stands out for its seriousness, and its willingness to explore universal subjects * i * Jessie Greengrass's first book . . . won plaudits for its incisive, compelling prose. Greengrass brings the same power to her debut novel, Sight * Radio Times * A self-consciously good writer * The Times * A masterly tale . . . [an] outstanding first novel * TLS * Remarkable and affecting * Literary Review * A slow burning, beautifully written debut . . . accomplished and melancholic * Irish Times * A slight and wondrous tale * New Statesman * Greengrass's fiercely cerebral despatch from one of life's most extraordinary rites of passage impresses linguistically, intellectually and emotionally * Mail on Sunday * This is a first novel - an original one by a writer who clearly has considerable gifts and a serious, nuanced approach to individual psychology and intellectual history * Financial Times * Exceptional . . . The prose is unsentimental, measured, breathtaking in its elegance . . . remarkably moving * The Spectator * The poise, intelligence and serious intent of Sight will be lauded, and rightly so. I would not be surprised to see it on heavyweight prize lists * Sunday Times * An exceptionally accomplished debut * Observer * Precise and moving . . . The pages on the mother's decline are a masterclass in wrenching, pitiless truth . . . the potted stories of Roentgen, Freud and Hunter form a fluid, richly associative historic narrative of investigation into the body and the mind, about seeking constantly to expand the borders of what we can see * Daily Telegraph **** * A stunning debut * Guardian *
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