Notes for Violists

A Guide to the Repertoire
Oxford University Press Inc
  • erscheint ca. am 4. März 2021
  • Buch
  • |
  • Softcover
  • |
  • 448 Seiten
978-0-19-091611-4 (ISBN)
Notes for Violists offers key historical and analytical information about thirty-five of the best-known pieces written for viola. Its engaging prose, detailed analytical charts, and rich contextual and theoretical insights make it an indispensable guide for professional, amateur, and student violists.
  • Englisch
  • New York
  • |
  • USA
  • Für Beruf und Forschung
90 music examples, 4 figures, 184 charts
  • Höhe: 235 mm
  • |
  • Breite: 156 mm
978-0-19-091611-4 (9780190916114)
weitere Ausgaben werden ermittelt
David M. Bynog enjoys a diverse musical career as performer, researcher, and educator. A former Editor of the Journal of the American Viola Society, he established the sheet-music publishing branch of the American Viola Society in 2010 and has edited more than forty compositions for publication. Currently the Head of Acquisitions at Fondren Library, Rice University, he holds degrees from Louisiana State University and Rice University.

Chapter 1. Johann Sebastian Bach: Brandenburg Concerto No. 6, BWV 1051
Chapter 2. Bela Bartok: Concerto for Viola and Orchestra, Sz. 120 (BB 128)
Chapter 3. Hector Berlioz: Harold in Italy, op. 16
Chapter 4. Ernest Bloch: Suite hebraique
Chapter 5. York Bowen: Sonata No. 1 in C Minor for Viola and Piano, op. 18
Chapter 6. Johannes Brahms: Sonata for Clarinet (or Viola) and Piano in E flat Major, op. 120, no. 2
Chapter 7. Benjamin Britten: Lachrymae, op. 48
Chapter 8. Max Bruch: Romanze for Viola and Orchestra, op. 85
Chapter 9. Henri Casadesus: Concerto in B Minor for Viola and Orchestra (attributed to G. F. Handel)
Chapter 10. Rebecca Clarke: Sonata for Viola and Piano
Chapter 11. George Enescu: Concertstuck for Viola and Piano
Chapter 12. Cecil Forsyth: Concerto in G Minor for Viola and Orchestra
Chapter 13. Lilian Fuchs: Sonata Pastorale for Unaccompanied Viola
Chapter 14. Aleksandr Glazunov: Elegie for Viola and Piano, op. 44
Chapter 15. Paul Hindemith: Sonata for Viola and Piano, op. 11, no. 4
Chapter 16. Paul Hindemith: Der Schwanendreher: Concerto after Old Folksongs for Viola and Small Orchestra
Chapter 17. Franz Anton Hoffmeister: Concerto for Viola and Orchestra in D Major
Chapter 18. Johann Nepomuk Hummel: Sonata for Piano and Viola, op. 5, no. 3
Chapter 19. Bohuslav Martinu: Rhapsody-Concerto for Viola and Orchestra, H. 337
Chapter 20. Felix Mendelssohn: Sonata in C Minor for Viola and Piano
Chapter 21. Darius Milhaud: Quatre Visages for Viola and Piano, op. 238
Chapter 22. Wolfgang Amadeus Mozart: Sinfonia concertante for Violin, Viola, and Orchestra, K. 364 (320d)
Chapter 23. Krzysztof Penderecki: Cadenza for Viola Solo
Chapter 24. Quincy Porter: Suite for Viola Alone
Chapter 25. Max Reger: Three Suites for Solo Viola, op. 131d: No. 1 in G Minor
Chapter 26. Robert Schumann: Marchenbilder for Viola and Piano, op. 113
Chapter 27. Dmitry Shostakovich: Sonata for Viola and Piano, op. 147
Chapter 28. Carl Stamitz: Concerto for Viola and Orchestra in D Major
Chapter 29. Igor Stravinsky: Elegie for Viola or Violin Unaccompanied
Chapter 30. Toru Takemitsu: A Bird came down the Walk, for viola and piano
Chapter 31. Georg Philipp Telemann: Concerto in G Major for Viola, Strings, and Basso continuo, TWV 51:G9
Chapter 32. Ralph Vaughan Williams: Suite for Viola and Small Orchestra
Chapter 33. Henry Vieuxtemps: Elegie for Viola and Piano, op. 30
Chapter 34. William Walton: Concerto for Viola and Orchestra
Chapter 35. Carl Maria von Weber: Andante e Rondo ungarese for Viola and Orchestra, J. 79

A fascinating book highlighting important select works for viola. I found it a captivating treasure-trove of unexpected insights into every composer's life, each composition, and its place now in history. A must for all who love the viola! * James F. Dunham, Professor of Viola and Chamber Music, Rice University, Shepherd School of Music * David Bynog's deep love and equally deep knowledge of the viola and its repertory's 'greatest hits' shine through in every chapter of this book. It is a must-have for every viola student and teacher, providing an invaluable 'jumping off point' for the preparation of an informed performance of each of these masterpieces. What a gift it is to the viola community to have this wonderful research and analysis all in one place! * Carol Rodland, Violist, Professor of Viola and Chamber Music, The Juilliard School *

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