Queering Modernist Translation

The Poetics of Race, Gender, and Queerness
 
 
Routledge (Verlag)
  • erscheint ca. am 1. Juli 2020
 
  • Buch
  • |
  • Hardcover
  • |
  • 224 Seiten
978-0-367-50915-6 (ISBN)
 
Queering Modernist Translation explores translations by Ezra Pound, Langston Hughes, and H.D. through the concept of queering translation. As Bancroft argues, queering translation is an intersectional lens for gleaning identity and socio-cultural issues in translation, such as gender, sexuality, diaspora, and race. Using theories espoused by Jack Halberstam, Jose Esteban Munoz, Elizabeth Grosz, Sara Ahmed, and Rinaldo Walcott as foundations for his arguments, Bancroft demonstrates that queering translation offers more expansive ways of imagining the relationship between translation and the identities, cultures, and societies that produce them. Intervening in new Modernist studies and translation studies, Queering Modernist Translation furthers contemporary conversations regarding Modernism and its lasting importance in the twenty-first century.
  • Englisch
  • London
  • |
  • Großbritannien
Taylor & Francis Ltd
  • Für höhere Schule und Studium
  • Höhe: 229 mm
  • |
  • Breite: 152 mm
978-0-367-50915-6 (9780367509156)

Christian Bancroft received his PhD from the University of Houston and is the recipient of a Michener Fellowship. A semifinalist for the 2018 Crab Orchard Series in Poetry First Book Award and the 2017 Lena-Miles Wever Todd Prize for Poetry, he is the author of Queering Modernist Translation: The Poetics of Race, Gender, and Queerness (under contract, Routledge) and the co-editor of the 2018 Unsung Masters Series volume, Adelaide Crapsey: The Life and Work of an American Master. His work has appeared or is forthcoming in Callaloo, The Missouri Review, jubilat, Gulf Coast, and Asymptote, among others.
Introduction








Chapter 1: "In the meantime, my songs will travel": Ezra Pound








Chapter 2: "Looking glass of earth!": Langston Hughes








Chapter 3: "This beauty is too much": H.D








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